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Vaudevisuals interview with Mallory Catlett – “Decoder: Ticket that Exploded”

MONDAY JULY 8th, 2019, 9:00 pm

Restless Productions, an Obie and Bessie Award-winning theater company led by director Mallory Catlett, presents ‘Decoder: Ticket that Exploded‘, the second installment of their multimedia-infused trilogy based on William Burroughs‘ NOVA series which predicts our current online life.

Created and directed by Mallory Catlett

Performed by Jim Findlay and G Lucas Crane

Sound and video manipulation by G Lucas Crane

Video by Keith Skretch

Interaction design by Ryan Hoisoppie

Dramaturgy by Alex Wemer-Colan

PIONEER WORKS – 159 Pioneer Street, Red Hook, Brooklyn

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Photography Story Teller Video Writer

Tribute to Heathcote Williams – poet, actor, political activist and dramatist.

“If poetry isn’t revolutionary, it’s nothing”.

I first met Heathcote Williams in London around 1968 at the offices of an alt-magazine “Friends”. He was in the waiting room as was I and we struck up a conversation which led to a visit to his flat where he showed me his 3-dimensional collage inspired by his friend William Burroughs.

We then proceeded to take lunch at a wonderful Indian restaurant that was housed in the basement of a rather ornate building. The lunch was delicious and when we were asked to pay the bill his lovely girlfriend reached into her pocketbook and removed her credit card. I glanced over to see that the name read ‘Jean Shrimpton‘.

Heathcote and I lost touch for many years until 2013 when we contacted one another again. I was wanting to direct his one act play “The Immortalist” and needed to get permission from him. We continued corresponding up until last week when he passed away. I was very distraught at the world’s loss of a great writer/activist/friend.

I am posting photographs of books and memorabilia from my collection which all contain his name and reflect his broad talent. I hope those who read this find it inspiring as I have for so many years!

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FIRST: The Obits

Heathcote Williams, who has died aged 75, was a unique and brilliant writer – poet, dramatist, visionary and pamphleteer. He restored and renovated a sense of intellectual anarchy in our public discourse in the great traditions of Jonathan Swift, William Blake, and Percy Bysshe Shelley all of whom were among his heroes.

The Guardian – read first!

The New York Times 

The Economist

The Telegraph

Washington Post

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Heathcote’s first book “The Speakers” established him worldwide. Published in 1964 by Hutchinson & Co (UK) and Grove Press (USA)

After the time lapse between meeting Heathcote and reconnecting I did notice that a production of one of his plays was being done at Brooklyn Academy of Music and was produced by Stacy Keach. A very futuristic and spell binding play. I contacted the public relations company and was allowed to photograph the dress rehearsal of the show. Here are the front and back cover of the play AC/DC in the USA edition published in 1972.

Originally published in the UK in 1971 (Gambit) and performed at Royal Court Theater in 1970.

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This edition was published in 1972 by Calder and Boyars Ltd.

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In 1967 Heathcote had another play that was produced in the UK. “The Local Stigmatic“. It gained much attention due to the American production featuring Al Pacino. Pacino would eventually make it into a short 1-hour film which has never been commercially released.

Here are some links to peruse about the play and the movie and Al Pacino.

Bomb Magazine Interview with Al Pacino. 1990 

Excerpt from The Local Stigmatic with Al Pacino

Full Movie – The Local Stigmatic by Heathcote Williams with Al Pacino.

Al Pacino talks about Heathcote Williams in this ‘Without Walls’ video.

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The Immortalist by Heathcote Williams

First published in Great Britain in 1978 (John Calder Ltd.) and in the USA in 1978 (Riverrun Press Inc.)

The Immortalist was first performed at the Oval House, Kennington with Neil Cunningham as The Immortalist and the author playing The Interviewer.

I am not able to post everything that Heathcote wrote during his life but here are a few more that I don’t have in my collection.

Malatesta – Remember the Truth Dentist – The Supernatural Family – Hancock’s Last Half Hour – Playpen – Severe Joy

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SACRED ELEPHANT by Heathcote Williams – 1989

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Whale Nation is a hymn to the beauty, intelligence, and majesty of the largest mammal on earth. A ‘green classic’ read with natural resonance by its author, it rarely fails!

This dramatic poem, by the writer of Whale Nation and Sacred Elephant, describes the encounter between man and dolphin. His research led him to a remote cove in the southwest of Ireland where a hermit dolphin was rumored to live.

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AUTOGEDDON published in 1991 in the US by Arcade Publishing.

A campaigning narrative poem with an anthology of prose writings, this is about the devastating effect of the motor car on our lives. More than 17 million people have been killed on the roads in the century since the first motor car appeared and an incalculable number seriously hurt, or have died later from the effects of road accidents. This is but one fact among many that build up to the evidence of man’s heedless inhumanity to his fellow traveler. But this book is much more than a catalog of death and destruction – of maimed children, of noxious pollution in the air, and through the petrochemical industry, in rivers and the soil. It is a revelation of the extent to which the human psyche has become possessed by a machine until we can no longer control the effects of it.

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FORBIDDEN FRUIT – Meditations on Science, Technology, and Natural History -2011

“Even when all possible scientific questions have been answered,” wrote Ludwig Wittgenstein, “the problems of life remain completely unanswered.” Forbidden Fruit is not only a collection of poems on science and nature but also a meditation on the problems of life. It has been described by Beat poet Michael McClure as “a collection of inspirations … as rich and dark as wasp honey”.

Williams has created a unique form of polemical poetry with which to attack the vast political and social forces which overshadow, grind down, and poison our lives: militarism, big business, consumerism, the sensationalist media, dehumanizing technology—all those things embraced by corrupt governments and used to strengthen the modern megalomaniac state.

He presents his vision not with cloudy political rhetoric, but by focusing on the absolutely known and familiar in our lives, with occasional ventures into the off-beat: a mistranslated word, a wasp that makes honey, the shape of Darwin’s nose, a visit to a museum, an old photograph of a Paris street, or the unusual experience of keeping a jackdaw as a pet.

The title poem, ‘Forbidden Fruit’, is a moving tribute to our greatest computer scientist, Alan Turing.

An audiovisual version of the poem, with narration and image montage by Heathcote’s friend actor Alan Cox, can be viewed below.


Check out all of Heathcote Williams/Alan Cox videos here.  Royal Babylon.

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I received a copy of Royal Babylon sent from Heathcote and in the package were a few postcards which I am posting here. Short poems on postcards.



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I know I have left out quite a list of his achievements since I don’t own all his work in book form. The last book that I recently purchased was his last collection of poems published by New River Press. “The Last Dodo and Dreams of Flying“. I got a ‘Limited Number First Edition’ signed by Heathcote. The insert says ‘uncorrected proof’.

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Last but not least I would like to leave you with the Heathcote poem ‘The United States of Porn’ read by Heathcote and recorded by Cold Turkey Press  (Jan Herman 2013) and published on a CD along with an LP by Sea Urchin Press.

Click on the red circle (Top left corner) to hear the poem!

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Book Shelf Photography Writer

Vaudevisuals Bookshelf – “I Celebrate Myself” by Allen Ginsburg

I Celebarate Myself by Allen Ginsburg


In the first biography of Ginsberg since his death in 1997 and the only one to cover the entire span of his life, Ginsberg’s archivist Bill Morgan draws on his deep knowledge of Ginsberg’s largely unpublished private journals to give readers an unparalleled and finely detailed portrait of one of America’s most famous poets. Morgan sheds new light on some of the pivotal aspects of Ginsberg’s life, including the poet’s associations with other members of the Beat Generation, his complex relationship with his lifelong partner, Peter Orlovsky, his involvement with Tibetan Buddhism, and above all his genius for living.

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From Publisher’s Weekly

It has become almost a cliché for biographers to speculate about their subjects’ psychosexual oddities. But speculation is not necessary when the subject is Allen Ginsberg, because the legendary beat poet and countercultural figure proudly proclaimed his psychosexual oddities, from his youthful incestuous impulses toward his father and brother to his little-requited infatuations with beat golden boys like Neal Cassady and his later eye for young male acolytes. Indeed, Ginsberg meticulously documented all his doings and feelings, and Morgan, his archivist and bibliographer, relies on that trove. Morgan does little to shape the material; each chapter, bluntly titled with the calendar year, simply recounts 365 days’ worth of parties, debauches, quarrels and breakups, drug experimentation, all-night debates about literature and philosophy, dead-end jobs, knock-about travels, psychoanalysis, ecstatic Blakean visions, depressed funks, homicides committed by friends, jazz, poetry readings and Ginsberg’s contemporary ruminations on all the above. The disorganized, onrushing flow of experience is occasionally eye-glazing, and Morgan offers disappointingly little interpretation of Ginsberg’s poems. But Ginsberg and his gang— Kerouac, Burroughs, Cassady et al.—are such vibrant, compelling characters that this mere straightforward chronicle of their lives approaches, as they intended, a fair imitation of art.

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This is not just the best Ginsberg biography, but the best biography of ANY of the Beats. From it you will learn an immense amount about how Ginsberg’s life intersected with those of Kerouac, Burroughs, Corso, Holmes, Hunckle, etc. Bill Morgan tracks Ginsberg’s personal and poetic development in amazing detail. One example: his meetings with William Carlos Williams are described with a specificity that I have not seen anywhere in Williams’ scholarship. I was constantly asking, “How did he get this fact?” It’s one of the great biographies of the last 20 years. OUTSTANDING WORK!
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