Dioramas and panoramas, freaks and magicians, waxworks and menageries, obscure relics, and stuffed animals–a dazzling assortment of curiosities attracted the gaze of the nineteenth-century spectator at the dime museum. This distinctly American phenomenon was unprecedented in both the diversity of its amusements and in its democratic appeal, with audiences traversing the boundaries of ethnicity, gender, and class. Andrea Stulman Dennett’s ‘Weird and Wonderful: The Dime Museum in America’ recaptures this ephemeral and scarcely documented institution of American culture from the margins of history.
Weird and Wonderful chronicles the evolution of the dime museum from its eighteenth-century inception as a “cabinet of curiosities” to its death at the hands of new amusement technologies in the early twentieth century. From big theaters that accommodated audiences of three thousand to meager converted storefronts exhibiting petrified wood and living anomalies, this study vividly reanimates the array of museums, exhibits, and performances that make up this entertainment institution. Tracing the scattered legacy of the dime museum from vaudeville theater to Ripley’s museum to the talk show spectacles of today, Dennett makes a significant contribution to the history of American popular entertainment.
“The book should prove interesting to readers of American social history, and particularly enjoyable for museum and entertainment professionals.”
“This book was a great read and provided the information I was hoping to learn about nineteenth-century dime museums. All the information on the subject seems to be scattered about and often lacking. This book ties it together in a succinct yet informative text.”
“Weird and Wonderful is a well researched and very readable account of the (mostly) 19th-century phenomenon commonly known as dime museums. While they were themselves short-lived, the influence of dime museums extends far and wide throughout our culture – from Discovery Channel programming and blockbuster museum exhibits to freak show revivals and viral videos.”
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In March of 2020, I gave a presentation – “First in Half the World – A Spiel on the Peale” – as the opening event for the USofA’s oldest sideshow convention, the Southern Sideshow Hootenanny in New Orleans. And its pitch ran something like this:
“During the War of 1812, during the siege of Ft. McHenry, there was another notable event besides the dawning of the “Star-Spangled Banner”: Under construction – the siege visible from its scaffolding – was the oldest purpose-built museum in the Western Hemisphere. The Peale Museum was the outgrowth of the Peale family’s exhibition franchise that spread across the Mid-Atlantic and typified virtually all the glories – and contradictions & conflicts – of the museum business even today. “America’s sideshow historian,” James Taylor, talks on the Peale’s history and legacy, one that highlights institutions from the Smithsonian to Ripley’s Believe It or Not! to dime museums and carnival midway shows.”
But that’s not all you’ll see here. Really, what spiel consists of only what’s advertised?
You will be requested to enter your name and email address 3 minutes into the video. The email address will be added to the Southern Sideshow Hootenanny mailing list. It will not be sold or given to other entities!
Featuring the circus collection of Dave & Mary Jane Price, the November sale is slated to include nearly 1000 vintage circus posters, plus costumes, model circus trains, and other relics from bygone wonder-shows. The circus collectibles will be complemented by an array of unusual, uncommon, and unbelievable oddities, sideshow memorabilia, banners, photographs, taxidermy, and relics of the “believe it or not” variety. Highlights include Tom Thumb memorabilia, sideshow electric chairs, and props, and big, bold banners from the masters of the form.
Catalogs ship approximately three weeks before the auction. Previews will be held in our gallery on November 14—15, 10—5 pm.
~Here are a few amazing items from the entire collection being auctioned~
The first item is a side-show banner painted by Coney Island USA‘s own Marie Roberts.
Roberts, Marie. Ravi The Bendable Boy from Bombay. Sideshow Banner. Coney Island, 2004. The vibrant banner shows this contortionist bent inside a trunk, text below and above. Flown at the Coney Island Sideshow. 66 x 57”.
Mule-Face Woman. Sideshow Banner by Snap Wyatt. Tampa, FL, ca. the 1960s. Enormous double-length painted canvas sideshow banner. 240 x 108”. Signed “Snap Wyatt Studios/Rt. 3 Tampa Fla”.
Currier Lithograph of General Tom Thumb. Barnum’s Gallery of Wonders. New York: Nathaniel Currier, ca. 1849. Lithograph colored by hand, the central image after a daguerreotype by Plumbe. 14 x 10 ¼”. Margins trimmed, pale soiling around edges, short tears, and creases.
Buffalo Bill Cody Cabinet Card Photograph. New York: Stacy, ca. 1900. Cody is seen wearing his Stetson hat and embroidered buckskin jacket, with few patches of grey in his hair. Facsimile signature to verso as issued. 6 ½ x 4 ¼”. Few stains to verso, else fine.
San Antonio’s Siamese Twins Daisy and Violet Hilton. The Sensation of Vaudeville. Kansas City: Quigley Litho, ca. the 1930s. Color lithograph depicting the famous conjoined twins. 42 x 27 ¾”. Linen-backed. Expertly restored losses and tears in image and margins, rubs and abrasions.
Ripley, Robert. Wilber Plumhoff the Pain Proof Man / Believe It Or Not. N.p., ca. the 1940s. Color poster depicting the performer with nails, pins, and buttons pierced through his skin. 28 x 21”. Linen-backed. Scattered restored losses to edges and along folds. B.
Ringling Bros. and Barnum & Bailey Circus. Side Show. Erie Litho, the 1930s. Offset color lithograph poster depicting the circus’s sideshow cast, prominently depicting violin and piano playing conjoined twins, a giant with little people, and others in the background. 18 ½ x 28”. Linen-backed. Restored losses and over-coloring, mostly in margins and edges, some inpainting to tears in image. B.
Ringling Brothers and Barnum & Bailey. Francis Brunn. Greatest Juggler World Has Ever Known. The 1940s. Color lithograph portraying the performer juggling hoops while balancing balls on his fingertips and nose. 27 x 41”. Unmounted. Remnants of date-tail removal from bottom margin, folds, minimal edgewear. B.
Hagenbeck-Wallace Circus. Blacaman Hindu Animal Hypnotist. Erie Litho, ca. 1930s. Offset lithograph poster depicts the performer hypnotizing massive ferocious lions, lightning bolts radiating from the hypnotist’s eyes. 27 ½ x 41”. Linen-backed. Restored losses and tears in margins; a few repaired closed tears in image. B.
World of Mirth Shows. Dolly Jacobs. World’s Foremost Lady Trainer of Wild Animals. Erie Litho, ca. the 1940s. Offset color lithograph showing the female lion and tiger trainer brandishing a whip. 41 x 13 ¼”. Linen-backed. Marginal stains and creases scattered restoration along folds. B-.
Cole Bros. Circus. The Great Grimes. Erie Litho, 1930s. Offset lithograph poster depicts the high-wire equilibrist act in which two men on bicycle balance a woman standing on the shoulders of a man on a chair. 40 x 26”. Mounted to Kraft paper. Old folds. Bright copy. B+.
Cole Bros. Circus. Harold Barnes. Erie Litho, ca. 1935. Offset lithograph circus poster depicts the acrobat on the high wire above cheerleaders in circus sweaters with tennis rackets in hand. 27 x 18”. Mounted to Kraft paper. Scattered losses and tears in image and along folds, dated in ink upper left. C.
Cole Bros. Circus. Getting Ready for the Ring. Erie Litho, 1930s. Offset color lithograph poster shows a man in baggy suit tying the slippers of a beautiful woman of the circus, as a clown and acrobat watch from the tent. 27 x 18”. Mounted to Kraft paper. Old folds. B+.
Cole Bros. Circus. Allen King. Battling, Snarling, Roaring, Man-Eating Wild Animals. Erie Litho, ca. the 1930s. Color offset lithograph. 28 x 41”. Linen-backed. Restored losses and over-coloring in margins; restored small losses and inpainting along folds. B+.
Barnum and Bailey. Cleopatra. Cincinnati: Strobridge Litho., 1912. Intricate design includes eight vignettes, the centermost being portraits of the circus’ founders, P. T. Barnum and J. A. Bailey. “Cleopatra pageant” illustrated in three others. Ornate masthead. 39 5/8 x 30”. Faint tide marks stains in the lower margin. Linen-backed. B.
Al. G. Barnes—Sells Floto and John Robinson. The Human Fly Anna Merkel. Erie Litho, ca. 1938. Color offset lithograph depicts the performer in a feat of upside-down ceiling walking. Date-tail for performance in Decatur. 36 x 21”. Linen-backed. Nice copy; minimal touch-ups along central fold; small losses in margins and image expertly repaired. B+.
Achille Philion. The Marvelous Equilibrist and Originator. Buffalo: Courier, 1898. Color lithograph. 28 ½ x 42”. Older linen backing. Chipping and tears in margins, a few extending into image; restored losses in margins. B. Another version of the poster replaces “An Attraction Without Parallel” with the name of the circus Philion performed for, Adam Forepaugh and Sells Brothers.
Living Wonders! Unprecedented Novelties! American, ca. 1870. Circus sideshow broadside featuring woodcuts of a snake charmer, “The Mammoth Fat Girl” of Illinois, and “The Arab Giant” Col. Routh Goshen, and other living attractions. Matted to 25 x 13”. Minor foxing; very good.
ALBERT CADABRA: The Great Deceiver is a professional, award-winning, comedy sideshow magician who delivers powerful, amazing and devilishly wild magic. Albert pushes and twists the boundaries of the art of magic with unique performances including; eating razor blades and a 3’-long balloon, hammering 6” spikes into his face, electrocuting himself with 2,000 volts of electricity and turning his assistant into a gorilla. He makes people and animals appear and vanish at will and escapes from chains, shackles, locked crates and straight jackets—all with the flair, style, class and great sense of humor you would expect from this seasoned, professional magician.
Watch him perform acts of the Strange, the Odd and the Bizarre LIVE at Ripley's Believe It or Not in Times Square every EVERY Wed-Sun at the bottom of every hour (that's 1:30, 2:30 3:30 etct) 234 42nd Street, Times Square NYC (7th & 8th ave)
In Times Square, NYC there was a special gathering of 14 Sword Swallowers who were attending the 7th Annual World Sword Swallower’s Day at Ripley’s Believe It or Not. Held every year at all the Ripley’s World Wide on this day they all swallow their swords together at the same time. Here is a video of that event. The Sword Swallowers present in NY were as follows: Keith Nelson Riley Schillaci Harley Newman Kryssy Kocktail Liye Shelden Zou Natasha Veruscka Tony Gangi Jim Stilianos Kyle Mertz The Lady Aye Roderick Russell Fred Kahl – The Great Fredini David Darwin
There I met up with Harley Newman and did an interview about his work, career and ideas on sideshow performing.
‘Extreme Stunt Master’ – That is what Harley Newman has been called. After 40 years performing stunts and sideshow acts all over the world he talks about his work, beginnings and what it takes to do what it is that he does. The Two Part interview is an in depth look at an individual who performs world class stunts and discusses them and their impact on the culture we live in. Part 2 is about the difference he sees between himself and others who would like to do what he does. Describing the heritage of his sword and then swallowing it for the camera. Intelligent and funny as well.