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Joe's Pub Music Posters

Rev. Billy and Stop Shopping Choir @Joe’s Pub

Reverend Billy & the Stop Shopping Choir

NEXT WEEK November 24, EARTH RIOT OPENS AT JOE’S PUB in NYC, this is a juicy, heart-pounding ride with Rev & The Choir!

Please send your friends, we really do rely on word of mouth. If you need help with tickets or have a group and want a discount just write to savitri@revbilly.com   ASL performed the first three shows by amazing choir member Debbie Ciraolo, if you have friends in the Deaf Community please let them know. 
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Categories
Book Shelf Writer

Vaudevisuals Bookshelf – “Make My Day: Movie Culture in the Age of Reagan

Make My Day: Movie Culture in the Age of Reagan

Acclaimed media critic J. Hoberman’s masterful and majestic exploration of the Reagan years as seen through the unforgettable movies of the era.

The third book in a brilliant and ambitious trilogy, celebrated cultural and film critic J. Hoberman’s Make My Day is a major new work of film and pop culture history. In it he chronicles the Reagan years, from the waning days of the Watergate scandal when disaster films like Earthquake ruled the box office to the nostalgia of feel-good movies like Rocky and Star Wars, and the delirium of the 1984 presidential campaign and beyond.

Bookended by the Bicentennial celebrations and the Iran-Contra affair, the period of Reagan’s ascendance brought such movie events as JawsApocalypse NowBlade RunnerGhostbustersBlue Velvet, and Back to the Future, as well as the birth of MTV, the Strategic Defense Initiative, and the Second Cold War.

An exploration of the synergy between American politics and popular culture, Make My Day is the concluding volume of Hoberman’s Found Illusions trilogy; the first volume, The Dream Life, was described by Slate’s David Edelstein as “one of the most vital cultural histories I’ve ever read”; Film Comment called the second, An Army of Phantoms, “utterly compulsive reading.” Reagan, a supporting player in Hoberman’s previous volumes, here takes center stage as the peer of Indiana Jones and John Rambo, the embodiment of a Hollywood that, even then, no longer existed.

“Singular, stylish and slightly intoxicating in its scope.”
—David Fear, Rolling Stone

“Rigorous, scholarly . . . for readers seeking an insightful, academic meditation on the relationship between media and sociopolitical issues.”
Library Journal

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Categories
Comedy Dixon Place Vaudevisuals Interview Women

Vaudevisuals interview with Deb Margolin – “Critical Mass” at Dixon Place

A critic is seated smack in the middle of a series of events he is meant to review, and people mistake each other for things they are not. A wild, vaudevillian comedy that investigates the critical impulse, from its most elegant to its most petty.

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“An artful and insightful work about our compulsion to inflict opinions on one another.

 New York Times

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TUESDAY, FEBRUARY 27, AT 7:30 PM 2018

FEATURING: Jim Turner, Dale Goodson, Kevin Seal, Rae C. WrightCatherine Nance, Salley May, Tom X. Chao and Deb Margolin.

DIRECTOR: Jamie Leo

For more information/tickets.

 

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Categories
Photography

Vaudevisuals interview with Ralph Lewis – “Androboros”

PECULIAR WORKS PROJECT presents Androboros

Fraunces Tavern at 54 Pearl Street, NYC

For more information/tickets on Androboros click here!

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Categories
Comedy Vaudevisuals Bookshelf Writer

Vaudevisuals Bookshelf – “How to Talk Dirty and Influence People”

LENNY BRUCE – HOW TO TALK DIRTY AND INFLUENCE PEOPLE

During the course of a career that began in the late 1940s, Lenny Bruce challenged the sanctity of organized religion and other societal and political conventions; he widened the boundaries of free speech. Critic Ralph Gleason said, “So many taboos have been lifted and so many comics have rushed through the doors Lenny opened. He utterly changed the world of comedy.”

Although Bruce died when he was only forty, his influence on the worlds of comedy, jazz, and satire are incalculable. How to Talk Dirty and Influence People remains a brilliant existential account of his life and the forces that made him the most important and controversial entertainer in history.

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REVIEWS:

“I read this book for the first time when I was twelve years old. It made me want to be in showbiz, have a lot of sex, and be Jewish. I’ve rethought that last one.”

Penn Jillette, author of God No!

“If there was a God, then he sent down Lenny Bruce to create the art form of modern stand-up comedy. He sought the truth fearlessly and hilariously until his tragically muffled First Amendment rights surely enabled his dying for our sins.”

Richard Lewis, author of The Other Great Depression

“Outside every American comedy club, there ought to be a statue of Lenny Bruce—the type of big bronze statue that commemorates and immortalizes heroes…Bringing Bruce’s ideas and stories to a new generation might just be the next best thing to erecting those bronze statues.”

Playboy Magazine – August 2016

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Categories
Comedy Dixon Place LaMaMa etc Music Performing Arts Photography PS122 Story Teller Television The Kitchen Vaudevisuals Interview Video Writer

Frank Maya – A Tribute – Video/Essay/Postcards/Interviews

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FRANK MAYA

Frank Maya: Out There By Victoria Linchong

Frank Maya once said that he turned to comedy “as a way to make the world safe for me.” The first openly gay comedian to appear on MTV and all three major television networks, Maya’s candor and wit helped pave the way for greater acceptance of homosexuality in mainstream media. As ABC News noted in a 1993 introduction to Maya, “Until recently, comics who wanted to succeed in show business never ever admitted they were gay. And they certainly never used their homosexuality as a punchline.”

Maya was born in 1950 to a middle-class Catholic family in Long Island. His Irish and Colombian background later became fodder for much of his comic material. A gifted musician and vocalist, he found work playing in cabarets and folk clubs after graduating from Hofstra University. In the mid-1970s, he met director John Jesurun and began venturing into the alternative music scene, then dominated by the Talking Heads and post-punk New Wave.

Fronting a band called the Decals, Maya became known for satirical songs that combined Latin-infused pop with absurdist poetic patter. Several of his songs also used toy instruments, recorded sound, or found objects such as scissors or a jar full of pennies. In one song, the refrain consisted of Maya shouting, “Pancakes!” with a recorded voice responding, “They’re ready!” Impish and whimsical as his songs were, they also were biting commentaries on consumerism and the banality of everyday life. His lyrics also revealed a quirky way with rhymes, “When you’re home for the holidays do you realize your dog looks upset? Does he realize during dinner, he’s simply the household pet?” The New York Times praised him as “a wacky pop iconoclast with enough star quality to have earned comparisons to performers as dissimilar as Laurie Anderson, David Byrne and Peter Allen.”

Maya was part of Jesurun’s legendary serial theater piece, Chang in a Void Moon, when it premiered at the Pyramid Club in 1982. His music performances had always verged on theater with interludes of acerbic monologues he called rants. In the mid- 1980s, he began focusing more on his rants, joining a growing cadre of solo performers such as Spalding Gray, Eric Bogosian, and Karen Finley, who were similarly examining American society through a personal lens.Pacing around the stage, he tackled pop culture, gender issues, and the mundanity of existence. Thirty years before the current outcry over the lack of minorities in mainstream media, Maya was commenting, “There’re a few movies like Cotton Club where they take all the black actors who’ve been out of work for ten years and put them in the same film… People say, ‘See we’re making progress.” His three-hour-long solo performances were performed at P.S. 122, La Mama, Dixon Place, the Kitchen, and Lincoln Center’s Serious Fun series. He also toured the mid-Atlantic states and performed in Germany.

During that time, Maya was known to paint his ears gold, perhaps to distinguish himself from other solo artists. He soon found a much more authentic way of differentiating himself. While Maya had made a few allusions to his sexual orientation in his music and his rants, he had never been completely overt about his homosexuality. His former partner Neil Greenberg believes that an anti-gay incident may have radicalized him. Whatever the cause, Maya began boldly declaring his homosexuality in 1989. At the same time, Maya was also realizing that he could achieve wider public attention by rebranding himself as a stand-up comic. “In New York they call me a performance artist…” he remarked in a 1989 Washington Post article, “But if you ask the Washington audience after my show, they’ll say, ‘He’s a stand-up comic.’ I always feel that my stuff is misinterpreted — it’s very funny, but it’s got serious points in it… But I’m not afraid of being considered a comedian as long as people like Lily Tomlin are considered comedians.”

Maya made his first openly gay appearance on HA! Comedy Network in 1990. His breakthrough to mainstream media happened at a pivotal time when the AIDS crisis was at its peak. Maya’s self-deprecating humor was a refreshing antidote to the widespread alarm in both the general population and the gay community. Here was a good-looking man without any effeminate traits, talking simply and naturally about being homosexual. “Comedy is about really being truthful,” he stated, “People are hoping the comic will tell them everything. So how can you hide your love life? It just seems impossible.” Though he joked about people in his audience who looked mortified, he said he rarely had hecklers and added, “”I guess people are still recovering from the fact that they can’t believe what I’m saying.”

Throughout the early 1990s, Maya appeared regularly at Caroline’s Comedy Club and MTV’s “Half-Hour Comedy Hour.” He also starred in his own half-hour special on Comedy Central. His last show Paying for the Pool ran at the Atlantic Theater for eight weeks. It was described as, “A one-man show in which Maya talks about his childhood and coming-out experiences.”

Maya was diagnosed with AIDs in 1995 but continued to perform. In The Queerest Art: Essays on Lesbian and Gay Theater, Carmelita Tropicana remembers him at a conference for the Center for Lesbian and Gay Studies (CLAGS) four months before he died. Despite a high fever, he did his entire set and had to be persuaded to go home early. Although friends were tearful over his impending death, Tropicana recalls, “[Frank] hated the tender sweet image of white helium balloons flying up to the sky in memory of those who have died of AIDS. He was angry, he wanted something loud, an uzi, a bomb to explode.” An upfront iconoclast to the end, Frank Maya was 45 years old when he died.

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Screen Shot 2016-09-06 at 9.47.12 PM1986 Postcard for Frank’s performance at CBGB

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Screen Shot 2016-09-06 at 9.49.45 PM1986 Postcard for Franks Maya’s performance at LaMama Cabaret

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Frank Maya at The Kitchen1990 Postcard for Frank Maya’s performance at The Kitchen.

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Frank Maya’s Music

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FRANK MAYA ACCORDING TO HIS FRIENDS: Uncut, Unexpurgated, Unabridged

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Postcard for Franks Maya’s performance at PS122 – 1989

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Frank Maya - Paying for the Pool 1993

Postcard for performance at Atlantic Theater – “Paying for the Pool” 1993

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MORE ABOUT FRANK MAYA – Performance Videos

Frank Maya at Dixon Place (circa 12-31-91)

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REFERENCES

Brown, Joe. “A Little Tattle Tale” Washington Post; 17 March 1989.

Holden Stephen. “A Wacky Pop Iconoclast” New York Times; 15 July 1983.

Holden, Stephen. “Frank Maya, 45, Performance Artist and Solo Comic.” New York Times; 10 Aug 1995.

Holden, Stephen. “Music Noted in Brief: Frank Maya, Singer, Satirizes Consumerism.” New York Times; 30 March 1983.

Rizzo, Frank. “Maya’s Punch Line Reaches a Broader Audience.” Hartford Courant, 22 Sept 1993.

Solomon, Alisa, and Framji Minwalla. The Queerest Art: Essays on Lesbian and Gay Theater. New York: New York UP, 2002.

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Thanks to Neil Greenberg,(postcards, videos,interview) Ellie Covan,(interview, video) John Jesurun (interview) and Victoria Linchong (Writer/Profile) for their great contribution to this post!

Categories
Abrons Art Center Art Avant_Garde_Arama Performing Arts PS122 Video Women

Martha Wilson – Avant-Garde-Arama – May 2nd, 2015


Martha Wilson (Representing Franklin Furnace) performs at the May 2015 Avant-Garde-Arama at Abrons Arts Center. Produced by PS122 and on loan to Abrons Arts Center for that weekend’s performances.

Categories
Dixon Place Performing Arts Photography

Nancy Giles – “The Further Adventures of the Accidental Pundette” @ Dixon Place

Photograph © 2013 Jim R Moore
Photograph © 2013 Jim R Moore

Nancy  Giles is one intelligent, hysterically funny woman ‘pundette’. The show was a collection of monologs about her life in show business followed by her current life in Network News as a ‘pundette’ as she calls herself. Half satire, half personal observations. Not a moment too much for the audience.

Here are  a few stills I took tonight at the show.

Reflecting on her time as a radio commentator.
Reflecting on her time as a radio commentator.
Talking about life experience and the political scene.
Talking about life experience and the political scene.

For more information or to get tickets go here!

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To see a video interview with Nancy Giles on Vaudevisuals go here.

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