All together I posted 73 times in 2019! Over 1000 views per month. Pretty good for an ‘eccentric’ performing arts blog!
You can use the drop-down menu for Month to Month Archive viewing. I will list some of the highlights here.
Dec 2019 – Interview with Cirque Mechanics Chris Lashua ~ Interview with Coney Island’s own Dick Zigun – Sideshow Hall of Fame.
November 2019 – Corn Mo and The Love Show ~ Vaudevisuals interview with Hilary Chaplain ~ Bindlestiff Open Stage Variety Revue ~ Karen Gersch Portfolio ~ Vaudevisuals Bookshelf ~ Martin Ewen’s ‘Panto Damascus’.
October 2019 – Vaudevisuals interview with Kevin Venardos.
September 2019 – Vaudevisuals interview with Noah Diamond & Amanda Sisk ~ Vaudevisuals interview with Adrienne Truscott.
August 2019 – Vaudevisuals interview with Tammy Faye Starlite ~ Ernie Kovacs Centennial Panel Discussion ~ Vaudevisuals interview with Dick Zigun – ‘Bloody Brains in the Juke Box’ ~ Vaudevisuals interview with Sarah the Bird Girl ~ The Seashore Variety Hour
July 2019 – Southern Sideshow Hootenanny Benefit ~ Vaudevisuals interview with Amber Martin ~ Vaudevisuals interview with Tyler West.
June 2019 – Vaudevisuals interview with Trav SD ~ Vaudevisuals interview with Bill Bowers ~ Vaudevisuals interview with Mallory Catlett ~ Vaudevisuals interview with Ralph Lewis ~ Bindlestiff’s ‘brooklyn abridged’ show ~ Vaudevisuals interview with Kevin Augustine ~ Vaudevisuals interview with Everett Quinton. ‘Galas’.
May 2019 – A.J. Silver – A Cowboy from the Bronx ~ Vaudevisuals interview with Boxcutter Collective.
April 2019 – Congress of Curious People – James Taylor ~ Vaudevisuals interview with Greg Dubin ~ Vaudevisuals interview with A.J. Silver ~ Trav SD’s American Vaudeville Theatre.
March 2019 – Vaudevisuals interview with John Jesurun & Nicky Paraiso ~ Vaudevisuals interview with Coney Island Ritual Cabaret Festival.
February 2019 – Coffeehouse Chronicles: Ethyl Eichelberger ~ Bindlestiff Open Stage at Big Apple Circus ~ Lord Buckley by Heathcote Williams.
January 2019 – Vaudevisuals Bookshelf: ‘Atomic Clown’ by Sara Moore ~ Bindlestiff Open Stage ~ Tribute To Rob Torres.
‘now my hand is ready for my heart: intimate histories’
Written and performed by Nicky Paraiso
Directed by John Jesurun
‘now my hand is ready for my heart: intimate histories’ is the newest work from Nicky Paraiso, an award-winning 40-year veteran of the New York City performance community. In a deep exploration of an artist’s life, Paraiso investigates aging, identity, sexuality, class and race. Directed by MacArthur Fellow John Jesurun, this world premiere is a multi-disciplinary celebration of an artistic community as it grows older and continues to make work, both individually and with each other. Paraiso is joined by choreographer / dancers Irene Hultman, Jon Kinzel, Vicky Shick, and Paz Tanjuaquio in performance and as collaborators.
Frank Maya once said that he turned to comedy “as a way to make the world safe for me.” The first openly gay comedian to appear on MTV and all three major television networks, Maya’s candor and wit helped pave the way for greater acceptance of homosexuality in mainstream media. As ABC News noted in a 1993 introduction to Maya, “Until recently, comics who wanted to succeed in show business never ever admitted they were gay. And they certainly never used their homosexuality as a punchline.”
Maya was born in 1950 to a middle-class Catholic family in Long Island. His Irish and Colombian background later became fodder for much of his comic material. A gifted musician and vocalist, he found work playing in cabarets and folk clubs after graduating from Hofstra University. In the mid-1970s, he met director John Jesurun and began venturing into the alternative music scene, then dominated by the Talking Heads and post-punk New Wave.
Fronting a band called the Decals, Maya became known for satirical songs that combined Latin-infused pop with absurdist poetic patter. Several of his songs also used toy instruments, recorded sound, or found objects such as scissors or a jar full of pennies. In one song, the refrain consisted of Maya shouting, “Pancakes!” with a recorded voice responding, “They’re ready!” Impish and whimsical as his songs were, they also were biting commentaries on consumerism and the banality of everyday life. His lyrics also revealed a quirky way with rhymes, “When you’re home for the holidays do you realize your dog looks upset? Does he realize during dinner, he’s simply the household pet?” The New York Times praised him as “a wacky pop iconoclast with enough star quality to have earned comparisons to performers as dissimilar as Laurie Anderson, David Byrne and Peter Allen.”
Maya was part of Jesurun’s legendary serial theater piece, Chang in a Void Moon, when it premiered at the Pyramid Club in 1982. His music performances had always verged on theater with interludes of acerbic monologues he called rants. In the mid- 1980s, he began focusing more on his rants, joining a growing cadre of solo performers such as Spalding Gray, Eric Bogosian, and Karen Finley, who were similarly examining American society through a personal lens.Pacing around the stage, he tackled pop culture, gender issues, and the mundanity of existence. Thirty years before the current outcry over the lack of minorities in mainstream media, Maya was commenting, “There’re a few movies like Cotton Club where they take all the black actors who’ve been out of work for ten years and put them in the same film… People say, ‘See we’re making progress.” His three-hour-long solo performances were performed at P.S. 122, La Mama, Dixon Place, the Kitchen, and Lincoln Center’s Serious Fun series. He also toured the mid-Atlantic states and performed in Germany.
During that time, Maya was known to paint his ears gold, perhaps to distinguish himself from other solo artists. He soon found a much more authentic way of differentiating himself. While Maya had made a few allusions to his sexual orientation in his music and his rants, he had never been completely overt about his homosexuality. His former partner Neil Greenberg believes that an anti-gay incident may have radicalized him. Whatever the cause, Maya began boldly declaring his homosexuality in 1989. At the same time, Maya was also realizing that he could achieve wider public attention by rebranding himself as a stand-up comic. “In New York they call me a performance artist…” he remarked in a 1989 Washington Post article, “But if you ask the Washington audience after my show, they’ll say, ‘He’s a stand-up comic.’ I always feel that my stuff is misinterpreted — it’s very funny, but it’s got serious points in it… But I’m not afraid of being considered a comedian as long as people like Lily Tomlin are considered comedians.”
Maya made his first openly gay appearance on HA! Comedy Network in 1990. His breakthrough to mainstream media happened at a pivotal time when the AIDS crisis was at its peak. Maya’s self-deprecating humor was a refreshing antidote to the widespread alarm in both the general population and the gay community. Here was a good-looking man without any effeminate traits, talking simply and naturally about being homosexual. “Comedy is about really being truthful,” he stated, “People are hoping the comic will tell them everything. So how can you hide your love life? It just seems impossible.” Though he joked about people in his audience who looked mortified, he said he rarely had hecklers and added, “”I guess people are still recovering from the fact that they can’t believe what I’m saying.”
Throughout the early 1990s, Maya appeared regularly at Caroline’s Comedy Club and MTV’s “Half-Hour Comedy Hour.” He also starred in his own half-hour special on Comedy Central. His last show Paying for the Pool ran at the Atlantic Theater for eight weeks. It was described as, “A one-man show in which Maya talks about his childhood and coming-out experiences.”
Maya was diagnosed with AIDs in 1995 but continued to perform. In The Queerest Art: Essays on Lesbian and Gay Theater, Carmelita Tropicana remembers him at a conference for the Center for Lesbian and Gay Studies (CLAGS) four months before he died. Despite a high fever, he did his entire set and had to be persuaded to go home early. Although friends were tearful over his impending death, Tropicana recalls, “[Frank] hated the tender sweet image of white helium balloons flying up to the sky in memory of those who have died of AIDS. He was angry, he wanted something loud, an uzi, a bomb to explode.” An upfront iconoclast to the end, Frank Maya was 45 years old when he died.
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1986 Postcard for Frank’s performance at CBGB
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1986 Postcard for Franks Maya’s performance at LaMama Cabaret
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1990 Postcard for Frank Maya’s performance at The Kitchen.
Tom Murrin Alien Comic Theater Festival @ LaMama
To coincide with this wonderful festival currently at LaMama I am posting a 2 Part interview I did with Tom Murrin / Alien Comic on Oct 10,2008
Part 1 was shown at the LaMama Club ‘Coffeehouse Chronicles #119 – Tom Murrin aka Alien Comic’. April 19, 2014.
The panel discussion included (lft to Rgt) John Vaccaro, Michael Arian, moderator Sarah Maxfield, Patricia Sullivan, Jo Andres, John Gernand and John Jesurun.
I wanted to post these for all of Tom’s fans who weren’t able to attend the wonderful panel discussion.
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For information/tickets for the festival go here.