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Vaudevisuals Bookshelf – “Make My Day: Movie Culture in the Age of Reagan

Make My Day: Movie Culture in the Age of Reagan

Acclaimed media critic J. Hoberman’s masterful and majestic exploration of the Reagan years as seen through the unforgettable movies of the era.

The third book in a brilliant and ambitious trilogy, celebrated cultural and film critic J. Hoberman’s Make My Day is a major new work of film and pop culture history. In it he chronicles the Reagan years, from the waning days of the Watergate scandal when disaster films like Earthquake ruled the box office to the nostalgia of feel-good movies like Rocky and Star Wars, and the delirium of the 1984 presidential campaign and beyond.

Bookended by the Bicentennial celebrations and the Iran-Contra affair, the period of Reagan’s ascendance brought such movie events as JawsApocalypse NowBlade RunnerGhostbustersBlue Velvet, and Back to the Future, as well as the birth of MTV, the Strategic Defense Initiative, and the Second Cold War.

An exploration of the synergy between American politics and popular culture, Make My Day is the concluding volume of Hoberman’s Found Illusions trilogy; the first volume, The Dream Life, was described by Slate’s David Edelstein as “one of the most vital cultural histories I’ve ever read”; Film Comment called the second, An Army of Phantoms, “utterly compulsive reading.” Reagan, a supporting player in Hoberman’s previous volumes, here takes center stage as the peer of Indiana Jones and John Rambo, the embodiment of a Hollywood that, even then, no longer existed.

“Singular, stylish and slightly intoxicating in its scope.”
—David Fear, Rolling Stone

“Rigorous, scholarly . . . for readers seeking an insightful, academic meditation on the relationship between media and sociopolitical issues.”
Library Journal

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Silent Film Vaudevisuals Bookshelf Women

Vaudevisuals Bookshelf – “The Girls in the Picture” by Melanie Benjamin

The Girls in the Picture – A Novel

“Full of Old Hollywood glamour and true details about the pair’s historic careers . . . a captivating ode to a legendary bond.”—Real Simple

It is 1914, and twenty-five-year-old Frances Marion has left her (second) husband and her Northern California home for the lure of Los Angeles, where she is determined to live independently as an artist. But the word on everyone’s lips these days is “flickers”—the silent moving pictures enthralling theatergoers. Turn any corner in this burgeoning town and you’ll find made-up actors running around, as a movie camera captures it all.

In this fledgling industry, Frances finds her true calling: writing stories for this wondrous new medium. She also makes the acquaintance of actress Mary Pickford, whose signature golden curls and lively spirit have earned her the title “America’s Sweetheart.” The two ambitious young women hit it off instantly, their kinship fomented by their mutual fever to create, to move audiences to a frenzy, to start a revolution.

But their ambitions are challenged by both the men around them and the limitations imposed on their gender—and their astronomical success could come at a price. As Mary, the world’s highest paid and most beloved actress struggles to live her life under the spotlight, she also wonders if it is possible to find love, even with the dashing actor Douglas Fairbanks. Frances, too, longs to share her life with someone. As in any good Hollywood story, dramas will play out, personalities will clash, and even the deepest friendships might be shattered.

With cameos from such notables as Charlie Chaplin, Louis B. Mayer, Rudolph Valentino, and Lillian Gish, The Girls in the Picture is, at its heart, a story of friendship and forgiveness. Melanie Benjamin perfectly captures the dawn of a glittering new era—its myths and icons, its possibilities and potential, and its seduction and heartbreak.

“A boffo production . . . Inspiration is a rare and unexpected gift in a book filled with the fluff of Hollywood, but Benjamin provides it with The Girls in the Picture.”—NPR

“Profoundly resonant, The Girls in the Picture is at its core, an empowering and fascinating tale of sisterhood.”—Bryce Dallas Howard

“Benjamin immerses readers in the whirlwind excitement of Mary’s and Frances’ lives while portraying a rarely seen character, an early woman screenwriter, and deftly explores the complexities of female friendship.”Booklist

“The heady, infectious energy of the fledgling film industry in Los Angeles is convincingly conveyed—and the loving but competitive friendship between these two women on the rise in a man’s world is a powerful source of both tension and relatability.”Publishers Weekly

“Profoundly resonant, The Girls in the Picture is at its core, an empowering and fascinating tale of sisterhood. . . . Deeply affecting . . . This book isn’t just timely, it’s necessary!”—Bryce Dallas Howard

“Melanie Benjamin, known for her living, breathing portraits of famous figures, takes on the Golden Age of Hollywood, and the friendship between icons Mary Pickford and screenwriter Frances Marion. As riveting as the latest blockbuster, this is a star-studded story of female friendships, creative sparks about to ignite, and the power of women. Dazzling.”—Caroline Leavitt, New York Times bestselling author of Pictures of You and Cruel Beautiful World

“Set at the dawn of Hollywood, The Girls in the Picture explores the friendship between renowned starlet Mary Pickford and screenwriter Frances Marion. With the artistry for which she has become renowned, Melanie Benjamin has simultaneously created an insightful tale of the relationship between writer and muse and a breathtaking view into Hollywood’s most glittering era.”—Pam Jenoff, New York Times bestselling author of The Orphan’s Tale

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You can find the book here!

 

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Vaudevisuals Bookshelf – “How Sweet It Is” – Jackie Gleason

This is one ‘helluva’ funny book!

 Inside book jacket flaps.

Back Cover of the book.

This book is great! If you like The Honeymooners and any of Jackie Gleason’s TV Specials over the years you will enjoy reading these stories about his wonderful life. There is one that I remember very well. When he stayed at the St. Regis Hotel he frequented the in-house King Cole Bar   and sat next to  Salvador Dali. This drinking companion ended up drawing an album cover for his music album “The Romantic Moods of Jackie Gleason“.

The rest of the book is equally hysterical and so enjoyable!

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