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Comedy Dance Darinka Exhibit Film Music Performing Arts Photography Vaudevisuals Interview

Vaudevisuals Interview with Gary Ray – “Darinka”

Darinka Membership Card

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Alien Comic and DanceNoise at Darinka Flyer from 1985.

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Darinka interior archive shot.

‘They Might Be Giants’ performing at Darinka.

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The archives from Darinka were donated to The Fales Library & Special Collections at NYU. Here is a Biographical/Historical note from the archives.

Darinka: A Performance Studio was opened on April 21, 1984, by Gary Ray Bugarcic (aka Gary Ray). The club served as a venue for artists of all disciplines, including performance, theatre, music, dance, film, video, fine art, and poetry and prose. In keeping with the Eastern European roots of the East Village/Lower East Side, the club was named after Gary’s mother, who was Croatian-born. Darinka is a derivative of the Slavic word dar, meaning “gift.”

The club was located at 118 East First Street, two doors down from Avenue A, and had a speakeasy type entrance under the residential stoop of the building. Up to the late 1970s, the space was used as a local Italian Social Club until a fire destroyed it. During the renovation of the space, all the old charred beams were laid in the backyard to provide an urban rustic wood patio enjoyed by patrons during the hot summer months. The interior of the club had a small proscenium stage that was described by many as looking like a live television. A variety of local painters such as James Romberger and Mark Kostabi showed their work on the walls of the club until the permanent murals and stencils were painted. Regular performers included They Might Be Giants (considered the house band), performance artist Steve Buscemi (still a fireman when he started performing), Karen Finley, Jack Smith, Charles Long, William Pope L., Kembra Pfahler, Nick Zedd, Anna Deavere Smith, and John S. Hall. In addition, there were many writers who read during the Sunday prose and poetry nights, including Darius James, Patrick McGrath, Hal Sirowitz, Lynne Tillman, Mark Dery, Nina Zivancevic, Peter Cherches, Bob Holman, Ira Cohen and Taylor Meade.

On June 29, 1985, the NYPD raided the club during a mushroom party and performance by artists David West and Andy Somma. Gary Ray and the bartender, Robin Clements, were arrested for operating an unlicensed bottle club. Several months later Darinka reopened as a private club with Randy Lee Hartwig and John Gernand as managers. As a private club, each new member would fill out a membership application card upon entrance. The application cards were kept in a file near the door in case of a police inquiry. Membership cards were also distributed.

Darinka was the first home of “The Church of the Little Green Man.” The church was founded by conceptual artist Mike Osterhout and had its first service in December of 1986. Darinka closed in May of 1987.

Articles mentioning Darinka have appeared in The Village Voice,  New York magazine,  Performance,  East Village Eye,  Toronto Globe and Mail,  The New York Times, and  The Drama Review (Spring 1985). The club is also acknowledged in the documentary  Gigantic: A Tale Of Two Johns.

Gary Ray Bugarcic, a graduate of The American Academy of Dramatic Arts, has worked as an actor and stage director in almost every downtown New York theatrical venue. As a musician, he played in several bands, including State of Desire and The Academy, which performed regularly at CBGB and Danceteria before opening Darinka. After closing the club he toured with Karen Finley in her play  The Theory of Total Blame and worked with The Ridge Theatre Company as well as with Kestutis Nakas and in Jeff Weiss’s “Hot Keys.” He has also appeared in such indie films as Todd Haynes’  Poison and  Desperately Seeking Susan.  New Blood magazine published his poetry in the 1980s and his “3-D Lenticular Photographs of the Eighties” have been shown in several New York City galleries, including the Participant Gallery.

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Here is a calendar list that Gary provided me to give an idea of the lineup that appeared every week at Darinka in 1985.

1/4, Ted Sputnik & his Orchestra plus the music of Kid Ego (Gary Quasar), plus performance with Mike Smith.

 1/5,  Show of Force, films and performance w/ Richard Kern and Brian Moran.

 1/6,  Short stories & Poetry w/ M.Kasper, Kennon Raines, Sadik Sedan (Sedik Grice), Bruce Benderson and Lisa Blauchild.

 1/11, performance w/ Leonard Grendel in “Do You Want to Fight $11,750,000 ?” plus music w/ Tom Cora.

1/12,  Accordion Summit # 2 presented by Zeena Parkins w/ the B’Z’s Squeezes and Billy Swindler and the Happy New Yorkers. Also Guy Klusevek performed.

 1/13,  Poetry w/ Robert Kendall and friends.

 1/18, They Might Be Giants, plus the music of Bond Bergland.

 1/19,  Films by Mark Kehoe including; “Revenge of the Amazons,” “Metal Madam,” and “The Naked Hiptress.” Plus performance w/ Michael Smith and the music of Burnt Orange.

1/20,  Poetry w/ Amy Shaipiro & friends with Sharon Gannon, David Life, Sue Ann Harkey, Judy Berger, Eric Eddy, and Stephen Paul Miller.

 1/25, Performance w/ Cindy Frawely’s  “War Dreams,” plus video & performance w/ Steve Thurston and James Minnis.

 1/26,  Directart Productions Ltd. Present A Cavalcade of films. “Three Step” & “Minute of Mystery,” animation by Joey Ahlbum and “Bass Line” & “Devil Movie’ by Barry Masterson, “Dapple-Grey’ & Dirt Road” by Leslie Pascel-Laufer, “Soul City” by M.Henry Jones, “Bloody Stump” by Michael Wolfe & Sidney Gilbert. “A Portrait of the Man’ by Fabio Roberti & Directart Films. Plus 2 films about the local band The Jickets; “Good Lovin’ Guitar Man” and “Heterosexual Love” by Directart Films.

 

1/27,  Celebrate Sir Thomas Wyatt’s Birthday “ The Disciplines of Distress” a play by Greg Masters & Jeff Wright w/ Elinor Nauen, Doris Kornish, Francesca Shrady, Blair Breard, Jeff Wright  and Greg Masters. Plus readings by Carla Liss, Don Yorty, Mayer, Hamilton and Mastersschiff.

 2/3,  The Tweed Theatre presents: Tzara’s “The Gas Heart.” Directed by Kevin Malony. Plus Club 86’ed w/ Mike Golden, Bob Riedel, Meegan McCombs, Rusty Hoover, Janet Cannon, Phil Herter and Mike Schwartz.

 2/8,  music and dance w/ Gregg Bendian, Ned Rothenberg, Sally Silvers and Pooh Kaye.

 2/9,  “A Hollow Venus (the Diary of a GoGo Dancer),” performance w/ Heather Woodbury.

 2/10,  Hard Boiled Night of Readings curated by Peter Cherches w/ Bill Dupp, Jim Strahs, Lee Eiferman and Sue Weinstein.

 2/15,  Nancy Cassaro’s “Be My Valantine” w/Otis Jah Baker, DeWitt Mebane, Jennie Moreau, Mark Nassar, Hal Simons and Moira Wilson.

 2/16,  Barbara Lehmann’s “Physical Education” performance concerning her medical history.

 2/16,  Music – Hugo Largo- w/ Mimi Goese.

 2/23-24, They Might Be Giants plus performance with Watchface.

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Thanks to Gary Ray for this interview!

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Categories
Coffeehouse Chronicles Dance LaMaMa etc Music Performing Arts Photography Video

LaMama Coffeehouse Chronicles #125 – Yoshiko Chuma & The School of Hard Knocks

Yoshiko Chuma & The School of Hard Knocks

Coffeehouse Chronicles #125 – April 25th, 2015

Celebrating the work of Yoshiko Chuma & The School of Hard Knocks

Moderator for the evening was Gayle Tufts.

A ‘free’, interactive, educational series exploring the history and development of Off-Off Broadway from its inception within the Village ‘coffeehouse theatres’ of the 1960’s through today. Part artist portrait, part history lesson, part community forum.

Here are a few photographs from the evening’s event.

Brian Moran does an improv dance piece.Brian Moran (one of the original members of School of Hard Knocks)performs a dance improv.

2015.04.25_Chuma.323Moderator Gayle Tufts and Yoshiko do a little duo together.

Yoshiko Chuma slyly approaches the microphone.Yoshiko Chuma slyly approaches the microphone.

Deborah Jowitt reads during the panel discussion.Panel #1 – Left to Right: Yoshiko Chuma, Gayle Tufts, Deborah Jowitt, Brian Moran, Lori E. Seid.

Deborah Jowitt talks about her experiences watching Yoshiko Chuma over the years.

Brian Moran talks about his time performingBrian Moran talks about his time performing with Yoshiko Chuma and The School of Hard Knocks.

2015.04.25_Chuma.147Yoshiko talks about her work with the company in the early days of it’s formation.

2015.04.25_Chuma.176Lori E. Seid talks about her time working with the company as lighting designer and stage manager.

Ursula Eagly talks about her time with YoshikoUrsula Eagly talks about her time with Yoshiko using a powerpoint presentation.

2015.04.25_Chuma.191Ursula’s powerpoint was very informative as what countries Yoshiko had worked in and the people she worked with.

Gayle Tufts and Bob FlyntGayle Tufts talks with photographer/painter Bob Flynt about his photographs of Yoshiko and the company.

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PANEL #2 – Allyson Green, Elise Bernhardt and Gabriel Berry.

Allyson GreenAllyson Green talks about Yoshiko’s work and it’s impact on her.

Elise BernhardtElise Bernhardt talks about her inspiration from Yoshiko’s work.

Gabriel BerryGabriel Berry discusses her work making costumes for Yoshiko and the company.

2015.04.25_Chuma.253Yoshiko Chuma and Robert Black perform a duo with his bass.

2015.04.25_Chuma.259Robert Black behind Yoshiko in their duo.

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PANEL #3 – Jodi Melnick, Ursula Eagly and Mizuo Peck. (no photos)

2015.04.25_Chuma.317Gayle Tufts talks to the audience about her work performing in Germany/Austria.

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During the evening their were photographs of Yoshiko Chuma’s early performance days by Dona Ann McAdams, a scene from a film by Jacob Burckhardt (It Don’t Pay to be an Honest Citizen)1984

VIDEOS

 

During the panel discussion Deborah Jowitt reads excerpts from her reviews and experiences watching Yoshiko Chuma & The School of Hard Knocks.
Brian Moran talks about his early days working with Yoshiko Chuma &The School of Hard Knocks.

Recollections and remembrances of working with Yoshiko Chuma & The School of Hard Knocks by Lori E. Seid.
Introduced by Gayle Tufts. Part of the LaMama Etc series.

An example of the dance work done by Yoshiko Chuma & School of Hard Knocks is demonstrated by dancer Megumi Eda in a short solo piece.

During the evening Yoshiko Chuma and Robert Black engaged in an improv with nothing but his bass and bow and Yoshiko's dancing.
Nicky Paraiso sings and Dane Terry and Nicky do a piano relay.

One of the talents Gayle Tufts has is singing. Here she sings a song she wrote.
Accompanied by Nicky Paraiso on the piano and Robert Black on Bass.

Part of the Coffehouse Chronicles #125.
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