By the end of 1914, Charlie Chaplin had become the most popular actor in films, and reporters were clamoring for interviews with the comedy sensation. But no reporter had more access than Fred Goodwins. A British actor who joined Chaplin’s stock company in early 1915, Goodwins began writing short accounts of life at the studio and submitting them to periodicals. In February 1916 the British magazine Red Letter published the first of what became a series of thirty-seven of Goodwins’s articles. Written in breezy prose and reproduced here for the first time, the articles cover a two-year period during which Chaplin’s popularity and creativity reached new heights. Only one copy of the complete series is known to exist, and its recent rediscovery marks a significant find for anyone who has ever been touched by Chaplin’s artistry.
‘Charlie Chaplin’s Red Letter Days: At Work with the Comic Genius’ is a vivid account of the ebb and flow of life at the Chaplin studio. Goodwins was an astute observer who deepens our understanding of Chaplin’s artistry and sheds new light on his personality. He also provides charming and revealing portraits of Chaplin’s unsung collaborators, such as his beloved co-star Edna Purviance, his burly nemesis Eric Campbell, and the other familiar faces that populate his films. Goodwins depicts Chaplin in the white heat of artistic creation, an indefatigable imp entertaining and inspiring the company on the set. He also describes gloomy, agonizing periods when Chaplin was paralyzed with indecision or exhaustion, or simply frustrated that it was raining and they couldn’t shoot. The shadow of WWI looms over every page, as Chaplin, a British subject, was being slammed by the British tabloid press for his controversial failure to enlist.
The articles have been exhaustively annotated to highlight their revelations by mime artist and Chaplin expert Dan Kamin, who trained Robert Downey, Jr. for his Oscar-nominated performance as Chaplin and created Johnny Depp’s physical comedy routines in Benny and Joon. Illustrated with a selection of rare images that reflect the Chaplin craze, including posters, sheet music, and magazine covers, Charlie Chaplin’s Red Letter Days provides a fascinating excursion into the private world of the iconic superstar whose films move and delight audiences to this day. It will appeal to movie buffs, comedy fans, and anyone who wants to know what really went on behind the screen.
Fred Goodwins (1891–1923) was a former New York Times London correspondent who became an actor, writer, and director during the silent film era.
Darinka: A Performance Studio was opened on April 21, 1984, by Gary Ray Bugarcic (aka Gary Ray). The club served as a venue for artists of all disciplines, including performance, theatre, music, dance, film, video, fine art, and poetry and prose. In keeping with the Eastern European roots of the East Village/Lower East Side, the club was named after Gary’s mother, who was Croatian-born. Darinka is a derivative of the Slavic word dar, meaning “gift.”
On June 29, 1985, the NYPD raided the club during a mushroom party and performance by artists David West and Andy Somma. Gary Ray and the bartender, Robin Clements, were arrested for operating an unlicensed bottle club. Several months later Darinka reopened as a private club with Randy Lee Hartwig and John Gernand as managers. As a private club, each new member would fill out a membership application card upon entrance. The application cards were kept in a file near the door in case of a police inquiry. Membership cards were also distributed.
Articles mentioning Darinka have appeared in The Village Voice, New York magazine, Performance, East Village Eye, Toronto Globe and Mail, The New York Times, and The Drama Review (Spring 1985). The club is also acknowledged in the documentary Gigantic: A Tale Of Two Johns.
Gary Ray Bugarcic, a graduate of The American Academy of Dramatic Arts, has worked as an actor and stage director in almost every downtown New York theatrical venue. As a musician, he played in several bands, including State of Desire and The Academy, which performed regularly at CBGB and Danceteria before opening Darinka. After closing the club he toured with Karen Finley in her play The Theory of Total Blame and worked with The Ridge Theatre Company as well as with Kestutis Nakas and in Jeff Weiss’s “Hot Keys.” He has also appeared in such indie films as Todd Haynes’ Poison and Desperately Seeking Susan. New Blood magazine published his poetry in the 1980s and his “3-D Lenticular Photographs of the Eighties” have been shown in several New York City galleries, including the Participant Gallery.
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Here is a calendar list that Gary provided me to give an idea of the lineup that appeared every week at Darinka in 1985.
1/4, Ted Sputnik & his Orchestra plus the music of Kid Ego (Gary Quasar), plus performance with Mike Smith.
1/5, Show of Force, films and performance w/ Richard Kern and Brian Moran.
1/6, Short stories & Poetry w/ M.Kasper, Kennon Raines, Sadik Sedan (Sedik Grice), Bruce Benderson and Lisa Blauchild.
1/11, performance w/ Leonard Grendel in “Do You Want to Fight $11,750,000 ?” plus music w/ Tom Cora.
1/12, Accordion Summit # 2 presented by Zeena Parkins w/ the B’Z’s Squeezes and Billy Swindler and the Happy New Yorkers. Also Guy Klusevek performed.
1/13, Poetry w/ Robert Kendall and friends.
1/18, They Might Be Giants, plus the music of Bond Bergland.
1/19, Films by Mark Kehoe including; “Revenge of the Amazons,” “Metal Madam,” and “The Naked Hiptress.” Plus performance w/ Michael Smith and the music of Burnt Orange.
1/20, Poetry w/ Amy Shaipiro & friends with Sharon Gannon, David Life, Sue Ann Harkey, Judy Berger, Eric Eddy, and Stephen Paul Miller.
1/25, Performance w/ Cindy Frawely’s “War Dreams,” plus video & performance w/ Steve Thurston and James Minnis.
1/26, Directart Productions Ltd. Present A Cavalcade of films. “Three Step” & “Minute of Mystery,” animation by Joey Ahlbum and “Bass Line” & “Devil Movie’ by Barry Masterson, “Dapple-Grey’ & Dirt Road” by Leslie Pascel-Laufer, “Soul City” by M.Henry Jones, “Bloody Stump” by Michael Wolfe & Sidney Gilbert. “A Portrait of the Man’ by Fabio Roberti & Directart Films. Plus 2 films about the local band The Jickets; “Good Lovin’ Guitar Man” and “Heterosexual Love” by Directart Films.
1/27, Celebrate Sir Thomas Wyatt’s Birthday “ The Disciplines of Distress” a play by Greg Masters & Jeff Wright w/ Elinor Nauen, Doris Kornish, Francesca Shrady, Blair Breard, Jeff Wright and Greg Masters. Plus readings by Carla Liss, Don Yorty, Mayer, Hamilton and Mastersschiff.
2/3, The Tweed Theatre presents: Tzara’s “The Gas Heart.” Directed by Kevin Malony. Plus Club 86’ed w/ Mike Golden, Bob Riedel, Meegan McCombs, Rusty Hoover, Janet Cannon, Phil Herter and Mike Schwartz.
2/8, music and dance w/ Gregg Bendian, Ned Rothenberg, Sally Silvers and Pooh Kaye.
2/9, “A Hollow Venus (the Diary of a GoGo Dancer),” performance w/ Heather Woodbury.
2/10, Hard Boiled Night of Readings curated by Peter Cherches w/ Bill Dupp, Jim Strahs, Lee Eiferman and Sue Weinstein.
2/15, Nancy Cassaro’s “Be My Valantine” w/Otis Jah Baker, DeWitt Mebane, Jennie Moreau, Mark Nassar, Hal Simons and Moira Wilson.
2/16, Barbara Lehmann’s “Physical Education” performance concerning her medical history.
2/16, Music – Hugo Largo- w/ Mimi Goese.
2/23-24, They Might Be Giants plus performance with Watchface.