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Frank Maya – A Tribute – Video/Essay/Postcards/Interviews

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FRANK MAYA

Frank Maya: Out There By Victoria Linchong

Frank Maya once said that he turned to comedy “as a way to make the world safe for me.” The first openly gay comedian to appear on MTV and all three major television networks, Maya’s candor and wit helped pave the way for greater acceptance of homosexuality in mainstream media. As ABC News noted in a 1993 introduction to Maya, “Until recently, comics who wanted to succeed in show business never ever admitted they were gay. And they certainly never used their homosexuality as a punchline.”

Maya was born in 1950 to a middle-class Catholic family in Long Island. His Irish and Colombian background later became fodder for much of his comic material. A gifted musician and vocalist, he found work playing in cabarets and folk clubs after graduating from Hofstra University. In the mid-1970s, he met director John Jesurun and began venturing into the alternative music scene, then dominated by the Talking Heads and post-punk New Wave.

Fronting a band called the Decals, Maya became known for satirical songs that combined Latin-infused pop with absurdist poetic patter. Several of his songs also used toy instruments, recorded sound, or found objects such as scissors or a jar full of pennies. In one song, the refrain consisted of Maya shouting, “Pancakes!” with a recorded voice responding, “They’re ready!” Impish and whimsical as his songs were, they also were biting commentaries on consumerism and the banality of everyday life. His lyrics also revealed a quirky way with rhymes, “When you’re home for the holidays do you realize your dog looks upset? Does he realize during dinner, he’s simply the household pet?” The New York Times praised him as “a wacky pop iconoclast with enough star quality to have earned comparisons to performers as dissimilar as Laurie Anderson, David Byrne and Peter Allen.”

Maya was part of Jesurun’s legendary serial theater piece, Chang in a Void Moon, when it premiered at the Pyramid Club in 1982. His music performances had always verged on theater with interludes of acerbic monologues he called rants. In the mid- 1980s, he began focusing more on his rants, joining a growing cadre of solo performers such as Spalding Gray, Eric Bogosian, and Karen Finley, who were similarly examining American society through a personal lens.Pacing around the stage, he tackled pop culture, gender issues, and the mundanity of existence. Thirty years before the current outcry over the lack of minorities in mainstream media, Maya was commenting, “There’re a few movies like Cotton Club where they take all the black actors who’ve been out of work for ten years and put them in the same film… People say, ‘See we’re making progress.” His three-hour-long solo performances were performed at P.S. 122, La Mama, Dixon Place, the Kitchen, and Lincoln Center’s Serious Fun series. He also toured the mid-Atlantic states and performed in Germany.

During that time, Maya was known to paint his ears gold, perhaps to distinguish himself from other solo artists. He soon found a much more authentic way of differentiating himself. While Maya had made a few allusions to his sexual orientation in his music and his rants, he had never been completely overt about his homosexuality. His former partner Neil Greenberg believes that an anti-gay incident may have radicalized him. Whatever the cause, Maya began boldly declaring his homosexuality in 1989. At the same time, Maya was also realizing that he could achieve wider public attention by rebranding himself as a stand-up comic. “In New York they call me a performance artist…” he remarked in a 1989 Washington Post article, “But if you ask the Washington audience after my show, they’ll say, ‘He’s a stand-up comic.’ I always feel that my stuff is misinterpreted — it’s very funny, but it’s got serious points in it… But I’m not afraid of being considered a comedian as long as people like Lily Tomlin are considered comedians.”

Maya made his first openly gay appearance on HA! Comedy Network in 1990. His breakthrough to mainstream media happened at a pivotal time when the AIDS crisis was at its peak. Maya’s self-deprecating humor was a refreshing antidote to the widespread alarm in both the general population and the gay community. Here was a good-looking man without any effeminate traits, talking simply and naturally about being homosexual. “Comedy is about really being truthful,” he stated, “People are hoping the comic will tell them everything. So how can you hide your love life? It just seems impossible.” Though he joked about people in his audience who looked mortified, he said he rarely had hecklers and added, “”I guess people are still recovering from the fact that they can’t believe what I’m saying.”

Throughout the early 1990s, Maya appeared regularly at Caroline’s Comedy Club and MTV’s “Half-Hour Comedy Hour.” He also starred in his own half-hour special on Comedy Central. His last show Paying for the Pool ran at the Atlantic Theater for eight weeks. It was described as, “A one-man show in which Maya talks about his childhood and coming-out experiences.”

Maya was diagnosed with AIDs in 1995 but continued to perform. In The Queerest Art: Essays on Lesbian and Gay Theater, Carmelita Tropicana remembers him at a conference for the Center for Lesbian and Gay Studies (CLAGS) four months before he died. Despite a high fever, he did his entire set and had to be persuaded to go home early. Although friends were tearful over his impending death, Tropicana recalls, “[Frank] hated the tender sweet image of white helium balloons flying up to the sky in memory of those who have died of AIDS. He was angry, he wanted something loud, an uzi, a bomb to explode.” An upfront iconoclast to the end, Frank Maya was 45 years old when he died.

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Screen Shot 2016-09-06 at 9.47.12 PM1986 Postcard for Frank’s performance at CBGB

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Screen Shot 2016-09-06 at 9.49.45 PM1986 Postcard for Franks Maya’s performance at LaMama Cabaret

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Frank Maya at The Kitchen1990 Postcard for Frank Maya’s performance at The Kitchen.

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Frank Maya’s Music

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FRANK MAYA ACCORDING TO HIS FRIENDS: Uncut, Unexpurgated, Unabridged

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Postcard for Franks Maya’s performance at PS122 – 1989

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Frank Maya - Paying for the Pool 1993

Postcard for performance at Atlantic Theater – “Paying for the Pool” 1993

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MORE ABOUT FRANK MAYA – Performance Videos

Frank Maya at Dixon Place (circa 12-31-91)

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REFERENCES

Brown, Joe. “A Little Tattle Tale” Washington Post; 17 March 1989.

Holden Stephen. “A Wacky Pop Iconoclast” New York Times; 15 July 1983.

Holden, Stephen. “Frank Maya, 45, Performance Artist and Solo Comic.” New York Times; 10 Aug 1995.

Holden, Stephen. “Music Noted in Brief: Frank Maya, Singer, Satirizes Consumerism.” New York Times; 30 March 1983.

Rizzo, Frank. “Maya’s Punch Line Reaches a Broader Audience.” Hartford Courant, 22 Sept 1993.

Solomon, Alisa, and Framji Minwalla. The Queerest Art: Essays on Lesbian and Gay Theater. New York: New York UP, 2002.

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Thanks to Neil Greenberg,(postcards, videos,interview) Ellie Covan,(interview, video) John Jesurun (interview) and Victoria Linchong (Writer/Profile) for their great contribution to this post!

Categories
LaMaMa etc Music Performing Arts The Kitchen Video

Dane Terry – Piano Solo at “And That’s How The Rent Gets Paid” – The Kitchen July 14, 2015

A celebration of the work of Jeff Weiss and Richard C. Martinez at The Kitchen.
La Mama’s Nicky Paraiso introduced Dane Terry. A young, charming performer.

Categories
Music Performing Arts The Kitchen Video

The Hot Keys Alumni Glee Club @ The Kitchen – July 14, 2015

Vaudevisuals was at The Kitchen to video tape this wonderful performance by The Hot Keys Alumni Glee Club. Leading the group is Nicky Paraiso and taking the lead vocal is Rick Sheinmel.
Part of a 3 day celebration of the work of Jeff Weiss and Richard C. Martinez.

Categories
LaMaMa etc Performing Arts Physical Theater The Kitchen Video Women

“Persky and the Rookie: Surveillance” – Presented at The Kitchen – July 14th, 2015

AND THAT’S HOW THE RENT GETS PAID

By, with and for Richard C. Martinez and Jeff Weiss

Presented at The Kitchen

This is a video of Play #8 in the series of 16 presented on Tues. July 14th.

PERSKY AND THE ROOKIE: SURVEILLANCE

featuring:

Nicky Paraiso as WOO

Kate Valk as PERSKY

Directed by Brooke O’Harra

– A video excerpt from one of the plays written by Richard C. Martinez and Jeff Weiss. Presented at The Kitchen, NYC as part of:
AND THAT'S HOW THE RENT GETS PAID
A 3 Day Celebration of Jeff Weiss and Richard C. Martinez.

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Categories
Comedy LaMaMa etc Performing Arts The Kitchen

“Pratt Borrows A Cup of Sugar from Flossie Nagahara” – Presented at The Kitchen – July 14th, 2015

AND THAT’S HOW THE RENT GETS PAID

By, with and for Richard C. Martinez and Jeff Weiss

Presented at The Kitchen

This is a video of Play #7 in the series of 16 presented on Tues. July 14th.

PRATT BORROWS A CUP OF SUGAR FROM FLOSSIE NAGAHARA

featuring:

Jiro Ueno as FLOSSIE

David Cale as PRATT

Directed by Brooke O’Harra

Presented at The Kitchen, NYC as part of:
AND THAT'S HOW THE RENT GETS PAID
A Celebration of Jeff Weiss and Richard C. Martinez.

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Categories
LaMaMa etc Performing Arts Physical Theater The Kitchen Video Women

“Connie Gets A Call One Crucial Night” – Presented at The Kitchen – July 14th, 2015

AND THAT’S HOW THE RENT GETS PAID

By, with and for Richard C. Martinez and Jeff Weiss

Presented at The Kitchen

This is a video of Play #9 in the series of 16 presented on Tues. July 14th.

CONNIE GETS A CALL ONE CRUCIAL NIGHT

featuring:

Becca Blackwell as CONNIE

Dorothy Cantwell as ANNIE

Dan Peeples as BOY

Directed by Brooke O’Harra

Part of the 3 day celebration of Jeff Weiss and Richard C. Martinez at The Kitchen.

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Categories
Comedy LaMaMa etc Music Performing Arts Photography Physical Theater The Kitchen Video Women Writer

‘And That’s How the Rent Gets Paid’ @ The Kitchen – July 14th, 2015

Jeff Weiss & Richard C. Martinez:

AND THAT’S HOW THE RENT GETS PAID

Presented at The Kitchen

Directed by Brooke O’Harra

Musical Direction by Nicky Paraiso

Jeff Weiss at The KitchenDowntown performer/playwright Jeff Weiss at the special 3 night event presented at The Kitchen.

A series of plays written by Jeff Weiss and Richard C. Martinez were presented on July 14th. The event also took place on July 15th and 16th.

These photographs and videos are from the July 14th presentation.

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DADDY AND BILLY – The Picnic

<a href=Jim Fletcher and Danny Ryan perform at The Kitchen” width=”720″ height=”462″ />Jim Fletcher (Daddy) and Danny Ryan (Billy) are snuggled together for some picnic in the woods fun.

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ROBIN & JOJO DISCUSS THE BUSINESS

Heather Littleer and Brian Byus perform at The KitchenBrian Byus (JOJO) and Heather Litteer (ROBIN) get into some domestic heated discussion.

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STONE HARBOR, NEW JERSEY. A CONDOMINIUM ON 111th STREET

Andrea Darriau and Shane Baker perform at The Kitchen.Andrea Darriau (VICKI) and Shane Baker (SOL) discuss their upcoming trip to Atlantic City to meet Frank Sinatra.

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TOM AND NONA PERSKY AT HOME

Mary Shultz and <a href=Kate Valk at The Kitchen” width=”720″ height=”590″ />Mary Shultz (NONA) looks on in despair as Kate Valk (Tom Persky) walks away.

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ROOM 122. THE BATHS. CONNIE’S PLACE, NYC

2015.07.14_JWeiss.124Jim Fletcher (BJORN) tells another story to Brian Liem (BILL) as he sticks out his tongue.

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PRATT BORROWS A CUP OF SUGAR FROM FLOSSIE NAGAHARA

David Cale and <a href=Jiro Ueno at The Kitchen” width=”720″ height=”569″ />Jiro Ueno (FLOSSIE) startles his visitor David Cale (PRATT) while he just wanted to borrow some sugar.

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PERSKY AND THE ROOKIE: SURVEILLANCE

Kate Valk and Nicky Paraiso at The KitchenKate Valk (PERSKY) looks at some nice views as Nicky Paraiso (WOO) gets excited having already seen it.

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ZERO HOUR AT DICKY’S: Part Three

2015.07.14_JWeiss.181Brian Byus (JOJO) looks down as Gary Ray (DICKY) confronts him at the bar. Moe Angelos (PECS) looks on.

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CONNIE AND MAMA SCENE

2015.07.14_JWeiss.209Becca Blackwell (CONNIE) looks over the table to Brenda Cummings (MAMA) in this touching scene.

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NICK GRUNDOWSKI INTERROGATES DICKY

2015.07.14_JWeiss.263Hye Young Chyun (STEWART) on left looks on as Gary Ray (DICKY) is crazed looking at the horrendous photographs. Danny Ryan looks down.

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THE BEACH HOUSE: STONE HARBOR

Jane Bradley and Dan Peeples at The Kitchen.Jane Bradley (LOIS) sits atop of Dan Peeples (Wesley) in this sexy scene.

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CONNIE  VISITS HIS SISTER IN THE STATE HOSPITAL

2015.07.14_JWeiss.323Becca Blackwell (Connie) visits the hospital where Dorothy Cantwell (ANNIE) is residing.

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There were a few other scenes which I did not get a chance to document.

The final song to cap off a great night of theater by Jeff Weiss and Richard C. Martinez.
Presented at The Kitchen, NYC
Directed by Brooke O'Harra and Musical Direction by Nicky Paraiso.
The end of the video has a special "HAPPY BIRTHDAY" song for Brooke O'Harra.

©2015 Jim R. Moore

Will be posting more videos from this evening’s festivities in the next few days.

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