Categories
Aerial Acts American Circus Circus Comedy Juggling Music Performing Arts Photography The Connelly Theater Variety Arts Video

Bindlestiff’s “brooklyn abridged” show at The Connelly Theater

Bindlestiff’s own Keith Nelson begins the wonderful show!

Ermiyas Muluken (from Ethopia) performs his amazing ‘ladder act’.

The multi-talented Cassady Rose Bonjo performed her ‘hula-hoop’ act.

Flying high above the stage was the remarkable Kenneth Stephen Neil.

Bringing the audience back to the sideshow Keith Nelson performs ‘blockhead’.

What goes into the head must come out. Keith removes the nail from his skull

Angela Buccinni and Yoni Kallal perform their wonderful acrobatic duo act.

Esther de Monteflores manipulates the cigar boxes with finese.

Cassady Rose Bonjo performs another of her many skills.

Esther de Monteflores performs a lovely and very unique slack wire act.

Ermiyas Muluken performs a ‘wild’ high rolla bolla act.

Curtain call for all the incredible performers at the ‘brooklyn abridged’ show.

# # # # #

Composer/Music Director – Sxip Shirey

Audio Design – Kris Anton

Band – Sxip Shirey and Nathan Repasz

# # # # #

For more information/tickets!

Categories
Performing Arts The Connelly Theater Vaudevisuals Interview

Vaudevisuals interview with Brandon Cole and Michael Di Jiacomo

IMPERFECT LOVE

A serious comedy inspired by the tumultuous life of Eleonora Duse and her poet-lover Gabriele D’Annunzio.

– till-

Sunday, February 18th only!

IMPERFECT LOVE is a story of love and betrayal, set just over 100 years ago, between the actress Eleonora Della Rosa, and her playwright lover Gabriele Torrisi. (Inspired by the real-life relationship between the great Eleanora Duse and the poet D’Annunzio). It’s a story set at the turning of an epoch, and the turning of two styles of theater: the more visceral and emotional style that Eleonora and Torrisi are exemplars of, and the ‘new’ psychological style epitomized by Nordic writers like Ibsen and Strindberg. Our characters Eleonora and Torrisi are both vulnerable and aware that their day may have passed, and along with it, their love. Should Torrisi abandon Eleonora and strike out for a collaboration with her arch-rival, the Parisian Sarah Bernhardt? Should Eleonora withdraw her support (and love?) from the possibly outmoded Torrisi and try to work with up-and-coming Ibsen? In the middle of all this is the classically trained leading-man Domenica, who doesn’t know which way to turn in his professional life, or in the tangled world of his emotional allegiances. One other delight of the play is how the traditional clowns Beppo and Marco not only comment on the action in a comical and human way, but how they themselves also embody the conflicting epochs – the rambunctious farce of the Commedia dell’Arte, set against a premonition, a whiff of the bold futurism of a Beckett or a Pirandello, a modernism that will eventually make all earlier styles redundant. In the end, matters of theater and matters of the heart come together in a climax both affirming and bitter-sweet. The play’s the thing. At least, until the curtain falls.

220 EAST FOURTH STREET | NEW YORK CITY

For more information/tickets

# # # # #