From the wilds of the UK Jon Udry performed a wonderful ‘juggling/striptease’ routine and then a charming teacup and teabag juggling routine.
Ermiyas Muluken performed a feat of balance and then juggled clubs while being 4 levels up on a rolla-bolla.
The performers in this show would usually be on stage getting a nice salary for their act but due to the ‘shut down’ they are here for your entertainment. Please consider donating at the options listed above!
Drew Nugent played a song on the piano and performed with the cute little teacup and mouthpiece. (A unique instrument for sure!)
In these very trying times, I wanted to reach back to a performance that startled me when I originally documented it. The performance by Emily Davis on May 2nd. 2015 Avant-Garde-Arama had that impact on me. Performed at the Abrons Arts Center on behalf of the amazing Bushwick Starr performance space. Seeing this piece now in these difficult times makes us realize how valuable the AGA was for so many years. This show was ‘chock-full’ of wonderful performers. (John Fleck, Uzi Parnes and Ela Troyano, Half Straddle, Martha Wilson, Travis Chamberlain (for Jennifer Monsoon) Holly Hughes, Jack Ferver, Yin Yue Dance and the Institute for Psychogeographic Adventure.) Watch and listen to this ‘Half-Straddle’ piece performed by Emily Davis.
Half Straddle is an Obie-winning, New York City-based ensemble of performers and designers that make plays, performances, videos, and music led by writer and director Tina Satter that have been seen through the United States and internationally.
Half Straddle has premiered 10 full-length shows, and a number of shorter works and video projects that have been seen at festivals and theaters throughout the U.S., Europe, Australia, and Asia.
In October 2019, the critically acclaimed Is This Room, a show conceived of and directed by Tina Satter and starring Becca Blackwell, Emily Davis, Pete Simpson, and TL Thompson, with costumes by Enver Chakartash, was the company’s Off-Broadway debut at the Vineyard Theatre. The show had premiered at The Kitchen in January 2019. In 2014, Half Straddle’s show House of Dance was nominated for a ZKB Patronage Prize at Zürcher Theater Spektakel.
The company began in 2008 and received their Obie Award grant in 2013.
All of Half Straddle’s company members and collaborators work extensively in a range of other performance contexts, often creating their own work, in avant-garde theater to Broadway, to university teaching and as theater artists in NYC public schools.
In New York City, the company’s work has been presented at the Vineyard Theatre, The Kitchen, New York Live Arts, New Museum, Danspace, Performance Space New York (formerly PS122), Bushwick Starr, HERE Arts Center, Dixon Place, American Realness at Abrons Arts Center, COIL Festival, Ice Factory Festival, and PRELUDE Festival.
The Bushwick Starr began in 2001 as a developmental space for the New York based theater company, Fovea Floods, Inc. In 2004, the company helped to fully convert the space to a black-box venue while producing a large-scale theatrical run. In the subsequent years, as the neighborhood of Bushwick began to transform into a thriving artistic nexus desirous of space and support, we decided to open our doors to other artists. Since doing so, we have quickly grown into a bustling theatrical venue, enjoyed by artists and audiences near and far.
We believe in the power of art to communicate in surprising ways. The work we present is bold, new, and daring, often melding disciplines, and always full of ideas. The Starr supports artists with 360 degree love by offering an attentive, nurturing, and supportive environment for our artists, helping them develop their best work under ideal circumstances. We provide a space that houses and ignites the conversation around intersecting communities and creates a cultural bridge through ongoing community programs and events.
Avant-Garde-Arama is Performance Space 122’s longest-running series. A multi-disciplinary mini-festival featuring break out performances in dance, music, theatre, performance art, video/film, and more presented in eight minutes or less. While PS122’s East Village home is being renovated, Avant-Garde-Arama and other programming will take place at multiple venues around the city.
The people that make this show possible are sometimes not known or seen.
One of them is Marcia Curran – Stage manager for the Bindlestiff Open Stage (and many other shows)
Here she is with Yoyo master Justin Weber before the show.
Also, one of the vital people that makes Dixon Place work is Mike!
Mike Griffiths is one of the people that makes Dixon Place tick like a well-oiled clock. His official title is “Marketing & Audience Development Associate”. You know he works hard at that! Along with Production manager Rob Lariviere who makes all the shows look and sound great!
Inspired by folk tales and the natural world, fools in plein air: fermented rain employs puppets, objects, projections, movement, and six performers to dissolve the boundaries between mind/body and sleep/wakefulness. In this commission, Swiss writer Robert Walser walks through the dreamscapes of artist Marc Chagall, revealing human interconnectedness, the porousness of boundaries and the illusion of human dominance.
About the Artist
Patti Bradshaw is a director, puppet artist and choreographer. Her work has been seen in NYC, Greece, Portugal and Japan. In recent years, she has devised movement/puppetry theater works inspired by the painter and poet Florine Stettheimer: Flowers in Space and Garden of Florine: Impending Storms; Franz Kafka’s last and unfinished novel, K and the Way and the inner life of poet Fernando Pessoa: Disquietude and Next to the Last Poem, in addition to other original performance projects and collaborations. Recent works have been presented at Dixon Place, 92nd St Y, Roulette Intermedium, St. Ann’s Warehouse, FiveMyles Gallery, Brooklyn Studios for Dance, and Triskelion Arts. She was a multi-year member of St. Ann’s Puppet Lab and has received support from the Jim Henson Foundation, and artist residencies at BkSD and from Barbara Bray Ketchum at Sarah Lawrence College.
MAGNUM OPUS: A Retrospective – the culminating performance of ‘Oh, Celine’.
In 2018, The People Movers’ choreographer and artistic director Kate Ladenheim and performer–designer Cecilia Lynn-Jacobs devised a collaborative project titled OH, CELINE and its heroine, Celine (née De La Croix). This fictional Brooklyn-based avant-garde dancer was conceived as a hilarious yet sincere caricature of a downtown artist. Through a sequence of events – sometimes harrowing, sometimes funny – the clueless New Age-y diva evolved into a provocative, Borat-like figure through whom her creators set to unmask the power structures in the contemporary art scene and our society at large. Over the last few months, Celine’s experiences unveiled through a long series of disarmingly pretentious social media posts, a mystifying art film, and surprising live appearances — all of which inspired unexpected reactions from the audiences. Now, Landenheim and Lynn-Jacobs present a look at their heroine’s journey in MAGNUM OPUS: A Retrospective, a multidisciplinary evening of solo performance combining theater, dance, and scenic installation, presented by Brooklyn Studios for Dance.
Thursday, April 11, 2019 – 8:00pm daily through April 14, 2019
Bouncing Betties :: by florkhis Opium :: by The Butoh Rockettes Face Your Face :: by Si Golraine, Anjoli Chadha, Erica Chadha Pillow Talk :: by Dimitri She Poked a Bear :: by Wharton Tract Polar Bear King :: by Amos Wengler Durational performance by Jennie Portney, LaReine TheThrill
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THE AUDIENCE TOO is encouraged to come be a part of the performance! Wear your most expressive/outrageous costume/look, and help celebrate the festival’s theme of TRANSFORMATION. An on-site makeover room will stand ready to accessorize willing participants, and photographer Kristopher Johnson will have a photo booth set-up during part of the festival. Expect a pageant & prizes!
International Culture Lab (Nick Fracaro and Gabriele Schafer, Co-Artistic Directors; Brendan Schweda, Festival Producer) is a performing arts company dedicated to providing opportunities for artists from across the world to explore contemporary issues through jointly created projects. Renowned in its earlier history as Thieves Theatre, ICL interrogated the role of the Other in contemporary society with a series of controversial landmark productions: 1982 — Marat/Sade, together with On Our Own, a group of anti-psychiatry former mental patients; 1987 — Fassbinder’s “unproducible” Trash, the City, and Death; and 1990-93 — Nomad Monad: The Making of Thieves Theatre’s Last Stand for which the company’s directors erected a full-sized Lakota tipi replica, handmade from 78 US#3 mailbags, and lived/worked for three years in the then oldest Manhattan shantytown at the foot of the Manhattan Bridge. intlculturelab.org
Coney Island USA exists to defend the honor of American popular culture through innovative exhibitions and performances. Presenting and producing exciting new works, the organization’s approach is rooted in mass culture and the traditions of P.T. Barnum, dime museums, burlesque, circus sideshows, vaudeville, and Coney Island itself. Serving both New York City and an international community that includes visitors to Coney Island and enthusiasts of various cultural forms, Coney Island USA’s signature activities include the Mermaid Parade, the Coney Island Circus Sideshow, the Coney Island Museum, and new theatrical work. coneyisland.com!