VAUDE_VISUALS

Mark Lonergan knows how to put together a good ‘variety show‘. He has  produced quite a few MOVE IT shows in the past plus his usual calendar of shows gives him a good ‘edge’ over the competition.

This MOVE IT show included some amazingly talented physical/variety performers.

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Starting the show off was a delightful “Oddotorium Puppet Freak Show”. Performed by J. E. Cross.

A pupppet  ’Coney Island’ type side show with the barker and the ‘main attraction.

J.E. Cross and The Cosmic Bicycle Theatre

J. E. Cross and his COSMIC BICYCLE THEATRE presented a beautiful “Puppet Freak Show”.

A very innovative puppet theatre company garnered with much attention which it surely deserves!

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The next act to perform was juggler/dancer Jen Slaw.

Combing the best movement with the grace of a beautiful juggler she made her work look effortless and charming.

Her act was simple, stunning, lyrical and and she is very talented.

Jen Slaw with Clubs

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One of producer Mark Lonergan’s favorite performers and  collaborator on some of Parallel Exit’s best shows is a charmingly gifted funny man Joel Jeske.

His stage presence is hysterical and he played the audience well with his JOEL JESKE TRIO.

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Book Kennison is one of my favorite unique comedic juggling acts.

He is a young man wit lots of talent and abilities.

Keep your eyes out for ‘Book Kennison‘. He is a rising star in the variety scene.

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Shana Solomon’s Phastasamic Physical Theatre

Performing their interpretation of Akira Kurosawa‘s film RAN

The six member company made use of corporeal talent and  unique physical discipline to interpret the essence of the film on stage without hardly any words and no scenery.

A great actor uses these skills before adding the voice.

I was very moved with the creative work that went into this piece.

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A playful duet James and JF came on stage walking cardboard dogs.

The piece was set in the future and included plenty of verbal banter and visual gags.

The comedy duet James and JF consist of  Emily James and Ishah Janssen-Faith.

Inventive, wild, sexy and off the wall funny!

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The Final performer for the evening was one of my favorite clowns. Chris Allison performing his wacky “CONEY ISLAND CHRIS“.

This act is so curious. He proclaims to have learned how to perform  ’sideshow’ feats in an online class.

What happens to him in front of the audience as he attempts to show off his new found skills can only be described as ‘hysterical’.

He was one of the finalist on “AMERICA’S GOT TALENT” and just returned from Germany where he performed in a revue of ‘Newcomers’ with all international artists.

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The evening would not be complete without a chat with the audience by Mark Lonergan.

SUPPORT THE VARIETY ARTS!

He knows how to make it happen. It is up to you…the audience to support it!

Watch out for the next MOVE IT show. They are SOLD OUT fast!

For additional information about Mark Longergan and/or Parallel Exit contact: Parallel Exit

(This is not a complete description of the show. Many of the performers did another turn.

I covered the parts I had room for!)

ALL PHOTOGRAPHS © 2010 Jim Moore

In 1972 I went to San Francisco to do a photo assignment for Crawdaddy Magazine. The picture was to be of famed Celeb tattoo artist Lyle Tuttle.
I just came across one of the shots from that day.
He is tattooed from head to toe, front and back except below his ankles and wrist and not above his neck line. He could wear a long sleeve shirt, pants and look perfectly NORMAL!

Leo Bassi’s New Neronian is an aggressive thesis on violence and control. At one point Bassi locked all the theater doors and threatened to burn down the theater. A very nervous audience played along with him – some to a larger degree than others. Bassi poured what smelled and looked like gasoline over the stage floor and about the set, than lit a flaming torch. He moved anxiously and intensely over the stage encouraging the audience to believe they were in imminent danger. He came out to the audience, threatened to burn one of the audience members, selected one and then backed off with an apology.

He apologized, not for intimidating the audience member, but for not burning his shirt, for the poor audience member would not – much later in his life – be able to pick up the burned shirt and show it to his grandson telling him about the time he had gone to a live performance and this crazy man Leo Bassi from Italy burned a hole in his shirt. It would be a lost moment for the audience member with his grandson. Maybe the audience member would have been part of a club of people from all over the world who had had their shirts burned by Bassi. In his golden years he would be elected president of the club. Bassi’s failure to burn his shirt took away this opportunity of prestige in old age. And so the evening went, in fiery forward lurching rhythm with Bassi challenging the audience’s perspective of truth, tolerance and totalitarianism[i]. Most in the audience were totally mesmerized by the Neo Fascist [Neo-Conservative] Nero look-alike character that demanded faith and fear and realized that Bassi was angry and fearful of the worldwide trend toward strong-arm governments. Others hated the show; some thinking Bassi was worshiping the Nero character for he did indeed walk the finest line between. But everyone loved watching Leo, shoulder in a cast, lie on his back, struggle to get a piano onto his feet and then juggle it for the feat that had placed him in the Guinness World Book of Records.

Michael Pedretti, Delighting the Senses, (Yardley,PA: Busting Boundaries, 2009)

Photograph of Leo Bassi © 2009 Jim R Moore – Leo Bassi Official Site. http://www.leobassi.com

The February NY Downtown Clown Revue was GREAT! Lots of variety and enormous talent on stage.

We had Dave McKay from Toronto, Summer Shapiro from San Francisco and Peter Musante from the Blue Man Group. We had Claire Wedemeyer from Chicago and Rob Lok with his two estranged partners Christina Gelsome from Acrobuffos and Erin Schmahl.

If you click on the picture of the MC Christopher Lueck you can see all the photographs from the show.

Click on image for Gallery Launch!

ALL PHOTOGRAPHS © 2010 Jim Moore / ALL RIGHTS RESERVED

One of the most interesting performers that I have photographed recently is Glen Heroy. He is a cameleon! In one show he is Dame Edna and in another show he is Elton John.(along with many others.) He plays the spoons like nobody I know and is an amazingly funny clown. I ask Glen to work with me on a new project I am doing. THE CLOWN UNMASK. A photographic study of the eccentric clown performer as himself and in character.

I am posting 2 shots of him in character personas. I did a photograph of Glen in a nice quiet apt. with beautiful window light.I think the visuals tell the story about a very talented and extremely versatile performer.

Glen Heroy as Dame Edna at the 2007 New York Downtown Clown GOLDEN NOSE AWARDS

Glen Heroy relaxes with a smile!

He worked with the Big Apple Circus Clown Care Unit for many years.  And has worked in the ring with The Big Apple Circus. Along with all his character performance work currently he also works with The Maestrosities. (The Coolest Band Ever!)

It is performers like Glen that inspired me to photograph clowns and eccentric performers in the first place. I look forward to seeing him again soon  on stage and off.

I was told by my wife that she was taking fiddle lessons with a really well known New Orleans based fiddle player.His name was David Greely. I did some research and found out that he plays with an amazing group ‘Steve Riley and the Mamou Playboys’. They have been around for 20 years and have won numerous Grammy nominations. According to the Mamou Playboys site “David Greely is one of Cajun music’s most eloquent voices on the fiddle, and has been a human search engine and musical bloodhound for the Mamou Playboys since the day that he and Steve Riley formed the group. Consumed with a hunger for knowledge and harmony, he revels in archival research, rare melodies, linguistic arcana and historical prose and poetry with which he can create songs that marry the distant past to the future, and then sing them in a rich, full baritone. His fiddling is inventive and witty, searching out and flowing into each opening and angle in a song that needs a splash of color or a blues inflection.”

Last week David and fellow New Orleans fiddle legend Joel Savoy had a performance scheduled in Brooklyn. My wife insisted I go and see David play. I haven’t been a fan of cajun music or bluegrass until recently. The location for this performance was a studio located in an industrial building in Gowanus, Brooklyn. The studio belonged to percussionist Scott Kettner. He has an amazing resume of work as well. Thats another blog entry later. Scott performed a few songs with the duo as well. Amazing musician!

A friend once introduced me to DelMcCoury Band at BB Kings. This was an experience to see that group play. It could have been jazz. It could have been Bluegrass. It was amazing Bluegrass! All the players were virtuoso musicians. That brings me back to David and Joel. Virtuoso fiddle!

David and Joel sang songs from his new album SUD DU SUD and other original cajun classics. It was an great evening of incredible musicianship and talent. I was fortunate enough to get a few songs on video that night. I look forward to seeing David perform again in the near future.

On the first Monday of the every month BINDLESTIFF VARIETY SHOW is held at Galapagos Art Space in Dumbo, Brooklyn. The host Keith Bindlestiff attempted to complete the Kendama Blockhead this past Monday. I have been videotaping all his attempts all the way back to August ’09. I am sure he will get it one day!

Here is a video where he provides the unknowing audience members with a short education on what the ‘Human Blockhead‘ is and then attempts the Kendama Blockhead. The variety show is a mix of acts ranging from singing to burlesque to trapeze and back to Kendama Blockhead. All for $5.00. Well worth the visit and time. This show included the likes of Baby Seals, Jan Manke, Kitty Cockpit, Coney Island Chris, Magic Brian, Zero Boy, The Maestrocities, and Mika.

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The performing artists of NYC would not be who there are today without the help of one very brave and unstoppable woman. Ellie Covan. Starting as a salon in her Paris apartment in 1985 she found a way to have performers show their new work without the worries of critics and the press. A laboratory for performing and literary artists. Since 1985 she has had a Dixon Place on East 1st . and on the Bowery and became the resident company at the Vineyard Theatre‘s 26th St. Space. The overwhelming support and success of this venue convinced Ellie and her board to secure a permanent home in New York City. Tonight (12/2/09) she along with hundreds of supporters and performers celebrated the OPENING of the new permanent home of DIXON PLACE. A custom built facility with 2 stages and a community space for neighbor events. Located at 161A Christie Street in New York Lower East Side. The sponsors, foundations and Corporations that have made this new space possible goes on for several pages. The evenings festivities included performances by Regina Nejman & Company, Peggy Shaw, Lois Weaver, Vivian Stoll, R. Sikorykak, David Michael Friend and Nicky Paraiso. The audience joined in for a song with Nicky Paraiso and the Hot Keys.

When I was photographing the top of the WTC for Philippe Petit in preparation for the upcoming ‘artistic crime of the century‘ I also wanted to take some photographs that weren’t needed by him in his preparation. I decided to lean over the edge of the tower and look down. This was a very decisive moment to make me realize I wasn’t afraid of heights. I knew before I did this that I did not have this fear but when I looked over the edge and didn’t flinch I was convinced.

Looking Over The Edge of the Tower © 2008 Jim Moore

While I was doing some research photography on top of the South tower of the World Trade Center (for his upcoming coup) I got Philippe to hold my camera while I did a handstand on the edge. I wasn’t really afraid of this as I had my handstand down and I am not afraid of heights. It was an amazing moment to be on the NY’s tallest building and be doing a handstand on the edge of the roof. No one was around and it was a serene and tranquil moment. The photographs that I took that day became the documentation that was eventually used in the Oscar winning documentary Man on Wire.

Jim Moore doing handstand on top of the World Trade Center @1974