VAUDE_VISUALS

Heather Marie Annis and Amy Lee are

MORRO AND JASP

A HILARIOUS LOOK BACK AT THE BEST PERIOD OF YOUR LIFE!

The show is about two sisters going thru the day to day turmoil of a girl’s life in puberty together.

Here are a selection of photographs from the evenings performance.

It was a delightful romp thru these sister’s lives. Funny with very poignant moments.

A charming amount of audience interaction was on hand!

What is a sister without phone issues?

A secret life is revealed!

“This device must have been invented by a man”.

This audience member found out it has many uses.

A novel use of the sticky surface.

An innocent audience member gets subjected to the ‘makeover’.

The puberty age does have it’s consequences.

An audience member (Billy Dee Bedlam) becomes her Don Juan.

After a very trying experience discovering ‘puberty’. Whew!

The curtain call involved a friend who was involved in the production. It was his birthday!

~~~~~~~

Many people helped make this show what it is but the main person responsible was Co-Artistic Director

Byron Laviolette

Byron Laviolette is a Canadian playwright, director, dramaturge and critic who has been involved in theatre making and production for the last 20 years. Highlights include the world première of Waiting for Gilgamesh: Scenes from Iraq; Theatre du Refuse’s five star run of The Hunt For Treasure in the Toronto Fringe and its remount in N.Y.C in 2007 with English Rose Productions; Morro and Jasp do Puberty with U.N.I.T. Productions as well as the Canadian Premiere of Reefer Madness at the Hart House Theatre in 2006.

Byron is currently completing a PhD degree in Theatre Studies at York University, working on a dissertation on Canadian Theatre History and his criticism can be read frequently in EYE WEEKLY.

~~~~~~~

This show has been the recipient of many awards including:

Canadian Comedy Awards Nominee 2010

Best of Toronto Fringe Festival 2010

~~~~~~~

Here is an interview I did with the Co-Directors at Goods Restaurant across the street from The Brick Theatre

~~~~~~~

Morro and Jasp Interview by Jim Moore from Jim Moore on Vimeo.

~~~~~~~

Every Sunday at 1pm and 4pm on a historical restored waterfront barge there is a show! WOW! What a show!

Ring Mistress and Artistic Director Karen E. Gersch

It is called Showboat Shazzam and every week there are new performers doing their amazing acts!

Pictured here is ballerina Lea McGowan and acrobat Rudi Macaggi.

You have a view of the Statue of Liberty and see an amazing show. Great for families and adults.

Here is a photograph and video from Will Shaw’s very funny act. He performed last weekend.

There are two more weekends to go in June. Make sure you go and see it before it ends for the year.

Upcoming acts include a trained flea circus, handbalancing act, jugglers, silk aerial act, comedy slack wire, contortion, magic and more!!

For more information and tickets go here: http://waterfrontmuseum.org/circus.htm

Today I photographed a wonderful parade. Not your normal one. This was a parade that was promoted as “The Greatest Smallest Parade”. And indeed it was! Floats made from small toys and plastic characters were mostly waiting in line to head out for the grand Parade.

The company GREAT SMALL WORKS produce an Annual International  TOY THEATRE FESTIVAL that happens at St. Ann’s each and every year. This is their 9th year! They have a Museum and start the festivities with a Greatest Smallest Parade.

One of the Smallest Floats!

The floats were varied. But most of the were very very small. It was a fun time for the families that just happened to be in Dumbo today. There was even a float that was a ‘cloud’.

When the parade reached it’s destination St. Ann’s Warehouse it just so happened that a charming japanese couple were getting married. So they joined in and made the parade ever more festive. They even had a brass band to accompany them for their fun.

A marriage ceremony that landed right in the middle of the parade.

Once all the floats were inside St. Ann’s they are on display for everyone to see. I liked this one alot.

A charming heartfelt float by Jane Gish. She also did one of a boat.

"I planted my feelings" float...

Go to the website (HERE) to see what shows are coming to St. Ann’s. They start this week and promise to bring a smile to your face.

And the band plays on!

Sometimes a show comes along that is so different that anything you have seen in a long time. Funny, original, intelligent, and physical comedy at it’s best. That show is titled “666“.It comes to NY from the Madrid based  group Yllana.

MAKE SURE YOU SEE THIS SHOW!

It may be that another show of this calibre will not hit NY for sometime. One of NY’s most ingenious performers ZERO BOY is currently appearing in this show.

It is an amazing roller coaster of laughter from sight gags and physical comedy par excellence!

I loved it! See it!

Raul Cano looks at his magazine with wild eyes!

Zero Boy, Lance Windish, Jeff LaGreca waiting to 'fry' the convict.

In 1972 I went to San Francisco to do a photo assignment for Crawdaddy Magazine. The picture was to be of famed Celeb tattoo artist Lyle Tuttle.
I just came across one of the shots from that day.
He is tattooed from head to toe, front and back except below his ankles and wrist and not above his neck line. He could wear a long sleeve shirt, pants and look perfectly NORMAL!

Theatre Group Dzieci (djyeh-chee) an international experimental theatre ensemble (founded in NYC, 1997) dedicated to a search for the “sacred” through the medium of theatre.

It is a serious undertaking!

Using techniques garnered from his theatre masters Jerzy Grotowski, Eugenio Barba, ritual forms derived from Native American and Eastern spiritual disciplines, and an ethic based securely in his work in Humanistic Psychology,

Dzieci aims to create a theatre that is as equally engaged with personal transformation as it is with public presentation.Towards this aim, the ensemble balances its work on performance with work of service, through creative and therapeutic interaction in hospitals and a variety of institutional settings. Dzieci believes helping others generates a profound healing effect that not only serves the patient but also strengthens the ensemble’s work.

The word ‘Dzieci’ is the Polish word for Children.

Matt performed some wonderful solo pieces that I was fortunate enough to photograph. Here are few more images from his evening at The New York Downtown Clown Revue.

And from his hysterical piece

“Tango de la Coca Cola Classico”

~~~~~~~

Ladies and Gentleman.

May I introduce you to Matt Mitler

The Clown Un_Masked

To get more information on Matt’s work with his company and his solo work you can go to the following web sites.

http://dziecitheatre.org/dzfiles/mission.html

http://en.wikipedia.org/wiki/Matt_Mitler

All Photographs (Except Dzieci Group) © 2010 Jim R Moore

Leo Bassi’s New Neronian is an aggressive thesis on violence and control. At one point Bassi locked all the theater doors and threatened to burn down the theater. A very nervous audience played along with him – some to a larger degree than others. Bassi poured what smelled and looked like gasoline over the stage floor and about the set, than lit a flaming torch. He moved anxiously and intensely over the stage encouraging the audience to believe they were in imminent danger. He came out to the audience, threatened to burn one of the audience members, selected one and then backed off with an apology.

He apologized, not for intimidating the audience member, but for not burning his shirt, for the poor audience member would not – much later in his life – be able to pick up the burned shirt and show it to his grandson telling him about the time he had gone to a live performance and this crazy man Leo Bassi from Italy burned a hole in his shirt. It would be a lost moment for the audience member with his grandson. Maybe the audience member would have been part of a club of people from all over the world who had had their shirts burned by Bassi. In his golden years he would be elected president of the club. Bassi’s failure to burn his shirt took away this opportunity of prestige in old age. And so the evening went, in fiery forward lurching rhythm with Bassi challenging the audience’s perspective of truth, tolerance and totalitarianism[i]. Most in the audience were totally mesmerized by the Neo Fascist [Neo-Conservative] Nero look-alike character that demanded faith and fear and realized that Bassi was angry and fearful of the worldwide trend toward strong-arm governments. Others hated the show; some thinking Bassi was worshiping the Nero character for he did indeed walk the finest line between. But everyone loved watching Leo, shoulder in a cast, lie on his back, struggle to get a piano onto his feet and then juggle it for the feat that had placed him in the Guinness World Book of Records.

Michael Pedretti, Delighting the Senses, (Yardley,PA: Busting Boundaries, 2009)

Photograph of Leo Bassi © 2009 Jim R Moore – Leo Bassi Official Site. http://www.leobassi.com

Paul Zaloom had much experience performing before he started his one-man shows. He was the ringmaster for the Bread and Puppet Circus in Vermont every summer for years. He started performing with them at the age of 19 and still does when he is in Vermont.

Paul Zaloom and I started working together on making pictures for his puppet shows in early 1978. The first of the shows we worked on was “The World of Plastic”. Paul has a very individual style to his work and it wasn’t difficult to carve photographs out of his shows that were very representative. His bulging eyes and expressive face lend themselves to very funny and theatrical images. It seems that the New York Times and other papers in NY were very appreciative of my style since they could use them in any way they wanted graphically on the pages of their paper.

Show titled WORLD OF PLASTIC. © 2009 Jim Moore

Our next project was for his show in 1981 titled ‘Zaloominations‘. We decided to be a little more playful and use some more drastic lighting to accentuate the event at hand. The piece is called Industrial Park. Here we have Paul with a semiglobe hat and plastic exhaust piping that has a puppet lobster claw with binoculars. A stunning image that was used many times in the media.

Show titled ZALOOMINATIONS © 2009 Jim Moore

The next show was titled CRAZY AS ZALOOM and the piece we did this photograph for was “In The News“. A few of the topical issues in the news in 1982 included pollution, internet and garbage. Paul was savvy in using found objects that reflected these issues in his shows. We wanted to get across the absurd and yet important issues by using these objects from the show in the photographs. A lot of times these visual images never appeared  in the show in the  same configuration as they did in the photographs. They were created custom for the photographs with Paul and I brainstorming for hours together to get the right look.

Paul Zaloom in his show CRAZY AS ZALOOM./© 2009 Jim Moore_All Rights Reserved

The following show Paul ask that we do a specific image for the flyer. He knew exactly what he wanted for the show and we set out to create a visual that worked for his concept. The show titled CREATURE FROM THE BLUE ZALOOM was presented in 1984. We set up a table top and seamless paper on top of it so Paul could ‘cross the desert’ in the studio. With pith helmet and the dehydrated look on his face we came up with this picture.

Paul Zaloom in his piece THE FUTURE from his one man show CREATURE FROM THE BLUE ZALOOM/© 2009 Jim Moore

At the same session we did another series of photographs for his piece titled BASIC INTELLIGENCE. Here Paul dressed up as a Russian soldier with cigar and moustache drinking a glass of ‘whoknowswhat’?

Paul Zaloom in his piece 'Basic Intelligence' from CREATURE FROM THE BLUE ZALOOM/© 2009 Jim Moore_All Rights Reserved

As we worked more and more together we really did get good at making wonderful potent images that sold the show and his ideas.

In 1986 we worked on his show THE THEATRE OF TRASH. This photograph was from his piece In America. I really liked this image as it had a feeling of horror mixed with scifi.

Paul Zaloom in his piece 'In America' from his show THEATRE OF TRASH / © 2009 Jim Moore

In 1991 we worked on his show MY CIVILIZATION. Here we used many different techniques to create the images. Backscreen projection, and other technical changes from our usual bag of tricks. Here is Paul with student learning and READING the ABC’S.

Paul Zaloom in his show MY CIVILIZATION/ ©2009 Jim Moore_All Rights Reserved

Paul moved to Los Angeles around 1998 and started working on a new TV show called BEAKMAN’S WORLD. It was a delightful cross between Mr. Science and Pee Wee Herman’s. Of course Paul was Beakman. Based on a very successful comic strip of the same name. It was very successful show and  there is a ‘Best of Beakman‘ on DVD.

Today Paul is creating more wonderful shows and hopefully we can work again on some inspired images. Here is a excerpt from one of his shows posted on YouTube.

When I was photographing the top of the WTC for Philippe Petit in preparation for the upcoming ‘artistic crime of the century‘ I also wanted to take some photographs that weren’t needed by him in his preparation. I decided to lean over the edge of the tower and look down. This was a very decisive moment to make me realize I wasn’t afraid of heights. I knew before I did this that I did not have this fear but when I looked over the edge and didn’t flinch I was convinced.

Looking Over The Edge of the Tower © 2008 Jim Moore

While I was doing some research photography on top of the South tower of the World Trade Center (for his upcoming coup) I got Philippe to hold my camera while I did a handstand on the edge. I wasn’t really afraid of this as I had my handstand down and I am not afraid of heights. It was an amazing moment to be on the NY’s tallest building and be doing a handstand on the edge of the roof. No one was around and it was a serene and tranquil moment. The photographs that I took that day became the documentation that was eventually used in the Oscar winning documentary Man on Wire.

Jim Moore doing handstand on top of the World Trade Center @1974